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A young man, unsuccessful in love, manages to leave his body and tours Paris, disembodied and invisible, playing practical jokes: a row of coats walks off from a hotel cloakroom; an unattended taxi drives itself away; a row of top hats appears on the pavement.
Claude is a young man whose girlfriend has just broken up with him. Feeling unable to overcome the pain, Claude has no other idea than to end his life. Back home, he finds five middle-aged or elderly men sitting at the dinner table but he refuses to join the guests and goes upstairs to his bedroom. The worst is prevented thanks to a servant who has caught sight of Claude's revolver. Claude 's uncle joins his nephew and manages to persuade him not to take action. He takes him downstairs to the dining room where each in turn, the five guests start telling their own story. For it happens that they too once had their heart broken and that they too once wanted to die for love.
"Viens voir le paysage" is based on the recording of a show during the tour of the Heptade in 1977. This unique film, of a rare intensity, is a living painting augmented with image treatments superimposed on the images of the time. This creation remains the only video recording of the group Harmonium on stage playing the integral of L'Heptade recently discovered and accompanied by a new audio mix in 5.1. You will also find on the DVD the unpublished song "C'est dans le noir". This piece, which had never been recorded in the studio, served as a presentation to the show of The Heptade on stage.
Robert Cavaillon is the king of the pet food industry. After he sold the factory to his workers, he decided to run for office. His campaign in support of animal rights gives him a lead in the opinion polls - which worries the main political parties. Since his past is unassailable, his political opponents decide to give the job of getting rid of him to a bizarre couple - a professional killer called Jean and a high-class call girl named Clara. The pair has to ruin him with scandal and then eliminate him for good. Jean's first attempt at his task is a failure: instead of a killer he ends up looking like Cavaillon's savior and friend. Clara is forced to play the role of the killer's tender wife, because their victim sees them as a kindly pair not interested in using him for his position like everyone else. Between one bungled assassination attempt and the next, the three are enmeshed in an intense relationship in which their roles all change.
Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.
Luisa lives with Mathieu, the man she loves, and Arthur, Mathieu's son by his first wife, who died in an accident. But Arthur, whom Luisa has been raising like her own, suddenly disappears from school and no one claims a kidnapping.
Hervé is a tough sea captain in command of the "Duchesse Anne", a rum-trading ship. But the sea dog hides a tender heart and he allows Marie-Douce, a poor slum girl who dreams of seeing the wide world,on board. To have her accepted by the crew, he passes her off as his niece. A seasoned master like him, wise enough to ban alcohol use on his ship, should have known better : a beautiful girl on the deck cannot but unleash the savage instincts of all those men without women.
A wayward young man finds himself involved with two mysterious people of a previous generation. After an affair with the married Hélène, the young man tries to escape her obsessions on a road trip with Serge, a taciturn relic of the 60s.
