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A man needs to get to Monte Carlo from Paris, but finds out that a train will take 17 hours to get there. He decides to go with a man with a special car, who claims that he can get there in just two hours. Complications ensue.
Kitazawa Haku had watched a movie and dreamed he was in a parallel universe. Meanwhile, Ryū, the older brother of Haku's friend Takeru, is facing down boys' bar owner Rokujō. Then Ryū becomes fascinated with Kikiyō standing behind Rokujō. On the day of the yearly festival, Haku suddenly disappears. Takeru disappears while in search of Haku. Ryū disappears while following Kikiyō. And then Rokujō also disappears.
The film revolves around a comic character in which he sarcastically discusses many of the issues in Moroccan society, with El Hadji El Souledi, a candidate for elections in Casablanca, whose character is a symbol of illegal wealth and moral corruption. His life is divided among bars, nightclubs and prostitution. While the police officer Adel and beautiful names that are associated with the life of the child and trying to get rid of it and corruption so that they succeed in the latter in it.
Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.
"Le septième ciel" became Raymond Bernard's last film; a black comedy about a female brewery owner who donates vast amounts of money to charitable causes. The funds to do this, she raises through her liaisons with wealthy gentlemen... who just "happen" to end up dead!
A Belgian atomic cloud appears not to be deadly but instead instigates a climate of friendship and fraternity.
This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.
Using his last four collections as a framework, director Loïc Prigent delves into the extraordinary career of Alexander McQueen. McQueen’s final four collections marked a staggering attempt to contemplate the future of fashion, society and consumerism, with Prigent crafting a stunning tribute to a designer who left us far too early.
Anémone, a girl raised with strict Christian values, must deal with a harsh new reality on the eve of her wedding.
Adapted from a Belgian novel
A patient, a nurse, a whip ... But where is the ghost?
A balcony courting scene turns into a man being beaten in a sack.
To spice up a life that's too quiet, a couple of friends play at being gangsters, but end up meeting some real hoodlums.
Takes place in 1665 in New France at a time when a part of Canada was colonialized by France. Joseph Côté escapes from a prison in order to avoid death by hanging. Moreover, while some colonial soldiers are chasing him, Joseph takes the identity of a Jesuit and hides in the seigneury of Beaufort where most men are waiting for "daughters of the king." (French women who were sent to Canada in order to find a husband.) At night, Joseph finds out that there are werewolves that terrorize the village. Besides, things get complicated when he falls in love with Marie Labotte, a "daughter of the king" that no one wants to marry. All in all, by simply trying to protect his life and Marie's, Joseph will end up fighting against the werewolves.
A sociologist specialising in criminology moves to a peaceful residence on the Côte d’Azur so that he can concentrate on writing a thesis. When he is attacked by a karate fanatic, he decides not to press charges. He refuses help from the police, preferring to take care of himself...
