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A funny adventures of a dachshund puppy and four his friends - taxi drivers.
Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.
The key character in the story story is Marko, a failed scriptwriter, who has been working as a taxi driver for years and follows his adventures during one hilarious night.
Gilnam, a diligent taxi driver plans to propose to his girlfriend, Yu-jeong. However, when Gilnam takes off to meet Yu-jeong with armful roses, he gets in a hit-and-run accident and dies on the spot. One night, forty-nine days later, in a graveyard, a set of headlights emerges. A mysterious taxi drives off into the city. The driver of this taxi is none other than Gilnam, but he is no longer a part of the living and he races through the city streets in search of his beloved.
"Taxi! Taxi!" is a social comedy set in the metropolitan city-state of Singapore, told through the encounters of two characters who are in what is widely perceived as the most sociable profession on the island taxi drivers. Inspired by famed blogger Dr Cai Mingjie's real life accounts as a taxi driver in his bestseller "Diary Of A Taxi Driver: True Stories From Singapore's Most Educated Cabdriver", the movie follows the trials and tribulations of a retrenched microbiology scientist, Professor Chua, as he turns to taxi driving after several failed job attempts. Along the way, he befriends (although they didn't quite start off as friends from the get-go) a veteran taxi driver, Ah Tau. The two men, who appear to be polar opposites of each other in every aspect from educational levels, personalities, attitudes toward life and even the languages that they speak, eventually find themselves interdependent and influencing each other in ways that they probably had never imagined
Ryo (Yamada Masasi), the lead singer of an amateur rock band at night, owns a Ramen noodle shop. He cannot fly on airplanes because he has a fear of them. Ironically, he finds himself attracted to a stewardess who comes to eat very often at his shop. One day, an opportunity comes knocking on their doors - they are to perform in Seoul. The performance day approaches, but their dream of performing in Seoul is about to be shattered because of Ryo, who cannot fly on an airplane. As a last resort, Ryo decides to take a taxi in Tokyo and fly to Seoul, leaving behind the charming stewardess who makes his heart flutter.
In the first half of the 1990s, Drissa Touré was an auteur fast on the rise, with his first fiction feature, Laada (1991), celebrating its world premiere in a Cannes sidebar, from whence it went around the world, Rotterdam included. Touré's next narrative project, Haramuya (1995), was again welcomed warmly and seen widely. But what happened then? How could an obviously gifted filmmaker from one of world cinema's true hubs, Burkina Faso, not find the means to continue? How did Touré end up riding a motorcycle, doing deliveries and errands? The fact that only a few years after Haramuya's release, Atria, the organisation where Touré deepened his technical knowledge of filmmaking, was closed down as the last francs of support were cancelled suggests that Touré's story is also a symptom of something more structural and grim.
The misadventures of a Montreal cab driver, Rogatien Dubois Jr. II.
Marcella inherits a taxi business from her father and now sets out on the job of her life. With each new fare she becomes involved with sex and crime, all done up 70's Italian comedy style.
It stars David Chiang, as the taxi driver whose adventures reveal Hong Kong's verve with wit, compassion and loads of action.
What the customer left behind in the cab is a passport that opens the door to nightmares and horror. After a collision, Nagashi Kawatome is rushed to the emergency room, where he loses his memory and does not know who he is. When Kawatome meets Katsuie Takaishi, who works as a head nurse at the hospital where she is hospitalized, she tries to regain her memory, but ......
Feature film created by 10 famous Armenian film directors and scriptwriters. The movie consists of 10 short stories lasting about seven minutes each, "10 life stories" beaded like "pearls" on an "endless thread" called Yerevan. Each story is shot in a definite genre and differs from the rest by its concept as well as signature, yet all the stories integrate into a bright mosaic, reflecting nowadays Yerevan life.
BEIJING TAXI is a timely, uncensored and richly cinematic portrait of China’s ancient capital as it undergoes a profound transformation. The film takes an intimate and compelling look at the lives of three cab drivers as they confront modern issues and changing values against the backdrop of the 2008 Summer Olympic Games. Through their daily struggles infused with humor and quiet determination, BEIJING TAXI reveals the complexity and contradictions of China’s shifting paradigm.
Klara, devoted to her work as a tax inspector, becomes infatuated with the dashing but irresponsible and cynical Marian who is about to be charged with tax evasion.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Postcards from a bourgeois family: Joel, his dealer, his mother and his guardian angel. A taxi ride to a destination they don't want to escape from.
When one of the girls takes a taxi, a love story develops between her and the taxi driver. Their meetings occur many times and she asks him to propose marriage to her, but he refuses due to the difference in social level. So she resorts to the trick of disguising herself as another person and working as a singer and claiming to be her sister. They participate in singing shows and achieve success. He is in love with the singer and does not know that she is the same rich girl, but some bad guys are trying to set them up.