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Story of a misplaced New York City housewife, visiting her former boyfriend in California, with no other plans but to see Malibu (with pit stops along the way).
Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.
There is a barn dance in the village Stubbhult. Johan Snippen and his friend the stationmaster Mandus plays happily, when a fight is about to break out.
Black filmmaker John Akomfrah believes that, for too long, being English has meant being white. In an attempt to show Englishness from the point of view of mixed-race English people, he visits Liverpool, one of England's oldest multicultural communities.
A man is tempted with the finer things in life.
A conversation between Bergman and film critic Nils Petter Sundgren recorded for Swedish television in 1984.
A young woman takes drugs in a car park, dreams of love, and dances to the sound of eternal screaming. A bleak and claustrophobic nightmare.
Petter von Malmborg has more cars than he can count. None of them works, but where everyone else sees a wreck he sees great potential. In this film he is surrounded by the women in his life, wife, daughters, and granddaughter who has little understanding for his passion for saving cars from the junkyard.
Wild boar hunting at night. A teenage son is out with his father. Rituals, darkness and a reckoning which creeps and seeps out from the pitch-black night of the forest in this intense and nerve-wracking gem.
When Brer Fox gets tired of Brer Rabbit's sassiness, he decides to make a Tar Baby that will trap Brer Rabbit for sure. But Brer Fox soon finds out that Brer Rabbit is trickier than he looks.
While on a picnic near the BOSS Oil refinery, Rantdog and his family are attacked by Tar Zombies. Only the bumbling Rantdog survives. He vows to avenge his family's untimely deaths. Instead, he's discovered drunk in a bar by Smash, a BOSS Oil Executive, who's masquerading as a journalist. Together they attack the Tar Zombie hordes. They make things much worse, but they do fall in love! Rantdog's undead family and, Twitch, the BOSS Oil CEO, are not impressed. Rantdog learns that revenge is no picnic!
A man and his tiny dog have something in common: obsessive compulsive anxiety disorder. Throughout their quest to heal, we dissect into pieces the surroundings - in its upbringing, fears and constant inner conflict. A memory is recalled; a memory filled with fear, violence, war, love and a past almost depicting itself again in the present and in the future. The setting is a family’s house. A father, a mother, sons, daughters and grandchildren living on a versant in Lebanon. The time is when beauty faded and ugliness and expiation prevailed. The man is the director, the dog is the mirror and the film is the instrument…
Back with more mischief, Ramez invites his unsuspecting guests to the launch of an amusement park in Riyadh where they fall victim to a bloodcurdling trap.