Talking To The Air The Horses Of The Last Forbidden Kingdom

A night of happenings between a 20-year-old couple from which the boyfriend decides to sleep with his girlfriend the day before he joins the army and a 30-year-old couple who have no choice but to give up their relationship, marriage and birth due to real life problems.

24 years after the war, a mass grave was discovered in northern Bosnia. Darija Vujinovic travels around the country searching for families of the missing. She gathers their memories and the four drop of blood needed to identify the bodies.

A short horror film about three men trapped in a facility that has had a containment breach. They are faced with a perilous decision that test each of their morals. What's necessary is not always what your conscience whispers.

I grew up in a broken family, which was fragmented due to my father's emotional violence. Communication conflicts between my parents affected me and my brother under the same roof. During my upbringing, the four of us in the family became more distant and were unable to communicate properly with each other. As I grew older, I explored my gender identity, but found it difficult to balance my identification with my original family, so I decided to face why my family became like this. With the help of a camera, I opened up my own heart and the hearts of my family members, and found a way for each of us to express ourselves.

Chai Jing returns with her six-episode documentary series on European Terrorism

Sasha Larionov, is in the eighth grade and still doesn't know that his mother has left the family. Sasha's father, a decent and very honest person, was used to telling people only the truth. But here he doesn't now how to tell his son that the mother left them for another man and therefore explains her long absence from a long business trip. However, soon Sasha finds out the truth and decides to go after his mom, hoping to get her back

No Money No Talk is a Hong Kong is a Hong Kong Drama starring Bill Tung

Three friends in their twenties struggle with their attitudes towards men. Hyo Rin believes in free sex, Yi An believes in keeping her virginity, and Yoo Jin is popular amongst the men, but after having been raped when she was young, she likes women more. The three go to Kangwondo on a trip and seek their sexual fantasies, releasing their inner desires.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri's mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri's brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri's, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, "I want to see you." Because she blames herself for her brother's death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app's users begin to die.

They do everything together: they read poetries, have breakfast, see friends, argue with each other, comfort each other, share their childhood and past memories. With imagination, they introspect in solitude and rest in intimacy. At the beginning of twenty years of the 21st century, the world seemed to be in a state of chaos and disorder, with individuals slipping into depression and confusion. The middle-aged intellectual couple engage in one 'long talk' and try their best to express with words, although they might step into a greater unknown. However, expression and communication, imagination and poetry, are already the basis for something.

What are the Knickerbocker Band doing at midnight in the cemetery? Is a spirit really speaking form the sinister grave? Why does Melissa, daughter of the dead sorcerer, receive threats? Has it all to do with the mysterious legacy of the magician?

When sophomore university student Nanamori meets Mugito, they decide to join a club. Intrigued by the Plushies Club, they soon realize it is not a place where people make plushies, but rather one where members are welcome to talk to stuffed animals about their feelings, or anything they might not want to discuss with other people. An introvert’s paradise. A safe space. An escape from society’s pressures and rules. For Nananori, it’s a natural fit: the club allows him to explore his uneasiness about dating and society’s imposed gender roles. But soon, an overwhelmed Mugito disappears, and the more pragmatic club member Shiraki begins voicing opposition to the group’s insular methods. Real life encroaches.

A medical student who travels to a remote village to research a form of traditional medicine becomes increasingly preoccupied with the life of a young widow she encounters there.

SG and Acke are two aged photographers dreaming about their big scoop. They no longer get the major assignments and feel that time has passed them by. At a party Acke takes a photo of a company leader getting intimate with one of the guests. Now they get their big chance, or so they think.

Throughout the movie, we will watch the life of a character whose face will never be seen. We will look at the world through his eyes and will witness the oppression he has experienced. He's only two years old. His excited parents forces him to communicate by saying 'talk'.

A lonely masseuse Sunny is reluctant to have an intimate relationship because of her painful memories of the past. Ji-seok comes to LA with a vague wish to meet his ex-girlfriend and becomes a roommate with Sunny. Young-shin, also known as Helen Jung, is the host of a late night local radio advice show called "Love Talk". Through various incidents, these three characters slowly open up their hearts and wish for another chance of love and new life.

Summer adventure story about two kids who spend summer in city suburb, where together with talking dogs they rescue the romantic wooden-house neighborhood from reconstruction.

Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.