Sweetness Of The Boi, Streaming avec sous-titres en Français, sweetness of the || Regardez tout le film sans limitation, diffusez en streaming en qualité.
The film is set in a youth home, which houses children who have been removed from socially inappropriate environments.
The events depicted in this film took place in Donghae, Gangwondo in 2016. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occured.
A young woman wanders down an endless corridor, while other people knock at a door at night. A man takes a picture of Montmartre, two women hand him some money, while a patron manages from rue de Mhyra a network of Italian call girls. Adiba sings an ancient Moroccan song in a room full of children, while Vidya is performing her daily puja in Pune (India). Giuli sings to herself as she drives at night through Turin and runs to the station at day. Parallel stories where every character is caught “in a situation,” closed.
Sweet Sin is a music video by Amir Tabari
Yonatan Barak with a Stand-up comedy special about how a drug-induced trip to Amsterdam made him quit smoking cigarettes.
Aisha is a widow with five children, Sana, Suad, Lamia, Asmaa and Noor. The eldest got married to Orabi the carpenter, and are living in the family's poor house. Orabi starts acting like he's the man of the house, and the other sisters try to find their way in life.
At four o'clock early in the morning a strange voice talks on an answering machine and announces a surprise, a cardboard box is at the front door, "filled with voices and pictures of another time and place". This time is November 1977, two years before the revolution in Iran. The experimental short film in Beckett style jumps from one time zone to another.
Yoji was a quiet and inconspicuous student. He had to repeat the school year due to health reasons but when he returned things were unfamiliar. But Yoji has a secret. His body is tormented by unexplainable pain and he witnesses vivid nightmares which seem to be getting darker in nature...
A special little homeless girl travels about the Philippines curing the afflicted with her mysterious healing powers, until one day she befriends a sick old man who for some perplexing reason she is unable to cure. The unlikely pair are drawn to each other and their lives are forever changed by their unique friendship and magical journey together.
For the first time, Biubiu spends his holiday with his grandmother and uncle in the country. Everything is so different there, he is even told to eat fried insects. But even worse is that the boys from the village don't play with him. But Biubiu does not let himself be shaken off.
In 1971, director Melvin Van Peebles turned the figure of the black hero in US cinema upside down with Sweet Sweetback's Baadasssss Song: the story of the making of a seminal movie that initiated the Blaxploitation movement, a short-lived but highly influential sub-genre in the years that followed.
Masha is a kept woman. She lives in Moscow with a support of her rich married lover. One day she begins to make her own video-blog on YouTube, advising other women how to behave with men. This blog starts very quickly to gain unpredictable popularity. The film follows the vicissitudes of Masha\'s life, her attempt to become independent, her travel to motherland (Ukraine) and her fails to find love without price.
Based on a book by Eric Malpass and directed by Kurt Hoffmann, the film focuses on the everyday life of a German family perceived through the eyes of its youngest member — six-year-old Gaylord.
The film's principal character is Jean Neuenschwander, who left his home in French-speaking Switzerland in 1956 for Canada, where he was soon appointed manager of a large luxury hotel in Vancouver. In 1971, he bought a house in Tangiers where he settled down a few years later, at the age of 51, for a cosy and opulent retirement. “My Sweet Little Ass” is the account of his personal life, which Jean Neuenschwander clearly takes delight in recounting. He is a likeable hedonist who manages his affairs and his pleasures with considerable skill. From this somewhat comfortable existence, Simon Bischoff subtly extracts a group portrait of the homosexual subculture of Tangiers, which for some has the power of myth, particulary when frequented by characters such as Paul Bowles.
