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Rigadin and his rival use camera/projector systems to reach their objectives.
For years Néhémie has been subjected to racism. As a young adult, she decides to talk to her white parents and adoptive brothers and sister. Her mum waters down her reaction but her dad accepts to talk about his past. Every one will react to her truth.
This feature film made during an exceptionally feverish period of popular revolt that saw the coming together of Quebec’s 3 main unions (CSN, FTQ, CEQ) is a cinematic tract by socially engaged filmmaker Gilles Groulx. Propped against the backdrop of the 1970 October Crisis, the film is a frontal assault denouncing a “consumer society” viewed as the ultimate embodiment of evil.
1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.
Bodo is standing on the top of a roof and ready to jump, when suddenly his phone is ringing...
Summer is ending, it's time for silaging in the peaceful Breton countryside. While farmers are harvesting the corn, two brothers, aged 8 and 12, are alone in their big house. Left to their own devices, they are masters of a vast kingdom and feel free to do whatever they want. They only forbid themselves to go upstairs in the house.
A party at night. Some teenagers dance and fall in love as if it was the first and the last time.
In a little girl's room, a plush fox fights against the villainous cat in order to protect all toys.
Break-out star of PHOENIX NIGHTS and MAX AND PADDY'S ROAD TO NOWHERE, Bolton-based funny man, Patrick McGuinness performs his self-proclaimed 'working class hero' stand-up comedy
Derek and Karen are at home. They do some work, have lunch, watch television, go for a walk, sometimes play the guitar.
A clever little monkey remembers to keep his wits about him when the bigger monkeys encroach on his bounty of bananas.
The wanderings of a retail trader, Jean-Simon, sketch the contours of a microcosmic informal economy in Congolese society. The financial urgency of everyday life is permeated by the political situation in Congo: a larger, more abstract urgency, which the diaspora experiences from a distance. The film finds itself somewhere in between these two imperatives, between here and somewhere else, the past and the present, small money and big money.
