Streaming Things That Disappear

On New Year’s Eve, after Lei Xiao successfully brought her seemingly perfect boyfriend back to her parents’ home, she didn’t gain her parents’ trust. She remained constantly nervous about her temporary partner’s behavior while observing the reactions of her parents and neighbors in her hometown. Behind the apparent joy of the whole family, a larger lie was concealed.

Pink film distributed by Xces / Nikkastu.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

This is the look that the film about Eduardo Gageiro takes. A film that departs from the stories of two images and that moves on crossing them with the ones that come out of the construction of his latest book. A film that shows how the deep Portuguese look of this photographer has seen the transformations of his country and of the world in the last 60 years. A look that has imagined what the photographer has seen and shot: the kiss of Maria to Salazar’s dead body in 1970, the kidnapping of the Israeli during the 1972 Olympic Games, the turning-point in the 74 revolution and the seductive revelations of the portraits from 1995.

In a futuristic world, everyone has a chance to meet with a decesased loved one for 10 minutes.

Using mixed techniques and experimental elements, the director intends to explore the relationship between him, the cinema, the actor and the spectator.

The film tells the story of young people in their early 30s; it speaks of their past and present romantic relationships and their attempts to find their way in life, one based on true feelings and decisions. Rather than well-set relations, which obstruct the vital flow of life, it seeks a direct contact with the world and other people.

The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.

The movie tells the story of Tian Xiaole (Chen Yao), who only thought about the "60-point pass life" female man, after meeting Cheng Daye (He Haochen), the savior with a "100-point halo", his life began to change dramatically , And willingly act as the "iron buddies" of each other, secretly falling in love with Cheng Daye in the name of friends, but in fact the two of them have always hidden the most sincere feelings for each other in their hearts. After all the ups and downs, waiting, and misses in life, returning to the beginning of love, it turns out that love at first sight is the simplest thing in the world.

Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.

Gonzalo, now 18, chooses not to take his deceased father's car, even though it was expected that he would. This unexpected choice perplexes everyone, especially his mother. The car becomes a symbol of an unresolved family wound, only to heal when Gonzalo honestly admits to his mother that he doesn't remember his father.

Roger is an actor who fears being forgotten. Through metalanguage, it seeks to leave an interesting message to the audience watching the film ... But it's simply 15 minutes.

Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.

Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.

Matsumoto's last video was produced by Sano Gallery. Matsumoto set the common theme as “Seeing” in 2009, six co-writers participated to directing the omnibus film, "Seeing". Initially, there were no plans to expand it into trilogy, and Matsumoto was also limitedly involved in the work. Later, Matsumoto envisioneds works that pursued the omnibus format, and sets up a common theme of "memory.” Afterwards, Matsumoto begun the production of Pilgrimage into the Memory, a reconstruction of works produced by five participating artists. However, the Great East Japan Earthquake occurred while producing the work. Matsumoto shocked by the earthquake and Fukushima Daiichi nuclear accident, he decided to produce a new work, All Things Change, and titled it's trilogy, Toro no Ono Daisambu. The third part, All Things Change, consists of videos produced by Tanotaiga, Kanako Inaki, Hiroyuki Oki, Okuno Kunito, and Tanako Tanaka.

A man thinks about what the world really is, either way, there's melancholy everywhere he goes...

A young man is forced to become a criminal...

In Toaru Kagaku no Railgun T Mikoto Misaka and her friends prepare for the Daihasei Festival, a seven-day sports competition between different Esper schools, which, of course, also include the Tokiwadai middle school. Misaka and all other students of Tokiwadai are highly motivated and ready to do their best in the upcoming competition. However, all the fun ends, when another dark secret of the Academy City of Science and Technology is uncovered.

After a self-exploratory workshop called “Primitive Voice”, Mihai and Octavia decide to embark on a painful and uncomfortable journey within themselves. Using their voices in unconventional ways along this transformative process, they both confront memories, emotions and patterns of behaviour which have kept them stuck into their past. Guided by the voice therapist Jean-René Toussaint and by a strong desire to find their inner freedom, they come to realize that meeting themselves brings them closer to the ones they love.