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Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.
Choi Jong-goo used to be a popular troubleshooter. He is now a bully who lives in a market where merchants turn their backs on him. Jong-goo lives on alcohol and is very violent. His daughter uses bad language and violence against people around her. There are sexual violence cases involving minors around him and his daughter is also involved in the case. Jong-goo is accused of a crime. They're looking for a criminal who sexually assaulted his daughter. At this time, Soo-jin, a woman who lives in pain appears. The veiled Soo-jin is always an angel who does good things and protects children. And she feels unbearable anger towards those who do evil around her. How will Jong-goo and Soo-jin will solve this series of events?
The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.
Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.
When Éva’s suspicions that her husband Zoltán might have sexually abused their five-year-old daughter Anna are substantiated, she turns to her best friends one night. They try to support Éva but find it difficult to believe that Zoltán could have done such a thing.
Mia is a girl who lives in nature and understands its secrets. Along with a group of scouts, Branko is camping in the forest where Mia lives. The loneliness and curiosity they both carry will bring them closer and reveal the unknown.
Robinson and Theresa form a couple in crisis, who are reclused in the countryside with their two children, preparing for the collapse of the thermo-industrial civilization. The lack of desire and future perspectives make their lives impossible until they find a strange mushroom in the forest, whose aphrodisiac properties lead them to reconnect to each other. Unfortunately, soon they cannot live without it.
Europe was still split in two — the Berlin wall separated families, friends, relatives. The wall, built by people to divide people, was more than a physical barrier. East of it there was a regime restricting freedom of speech, access to education and information and career opportunities. It made simple things, such as the movie you are now going to watch, unthinkable. Those times are gone, but must not be forgotten.
Romelia tells the melodrama of his own story of heartbreak through the interpretation of the main characters who were part of her love story. Soon fiction and reality collide, blurring the boundaries between reality and fiction.
A girl comes to the beach to bury the things of her beloved and forget about him. But things, like memories, just don't give up!
Teenage girls take their shirts off at a party together but they attract an audience.
Told in a whisper, this quiet and diaristic film explores toxic masculinity through personal narrative, family legacy, and video games. El nombre de las cosas speaks aloud the unspoken and unspeakable, to give a name to traumas in order to heal them. Deeply poetic and disarmingly honest, director Diego Escobar uses his own story to address a widespread problem of inherited male aggression and all the ways families – and society – cope with and adapt to its toxicity.
Dédé, Carole and Steve aren't horrible people, they just did horrible things. Negligence, forgetfulness, larceny. Ugly things, with dark consequences. Eaten by guilt, they try to buy back their faults by buying things. Horrible things.
A thief breaks into the home of a famous writer, unknowingly stealing what turns out to be the only manuscript of an upcoming story. In desperate need of money, he submits it to a contest...
Have you ever been ill as a child? The temperature, everything around is floating in my eyes... but for some reason it's very threatening and right at us.
A dying actor asks a doctor to help him commit suicide in return for a masterpiece.
At his brother's funeral, Mathieu sees his nephew, Thomas. He hasn't seen him for several years and has something to pass on to him.
When Peter is called to work on his day-off a chain of events starts to unravel that effect him and the people around him.