Streaming Things That Disappear Regarder

LOVE ABOVE ALL THINGS is a passionate love story that unfolds over the course of five years. In it we witness the trials and tribulations Of Teo and Ana, their separations, reunions, euphoria, disappointments and joy. Ana cannot love any man other than Teo and Teo cannot live without Ana, but their love affair will not last, that is their destiny. Years pass and their lives continue with their peculiar love story that sometimes enlightens them and sometimes tears them down.

A picture of daily life punctuated by silence. In a village in the north, the daily routine of three families. Glimpses of Isabel, her eyes turned towards the future; for the others, living is the only meaning of life. The camera freezes moments of life through the movement of things in time, values and silence. - Cinéma du Réel

Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.

A school teacher wasn't expecting to find a dead man corpse in her apartment during a party.

The filmmaker confronts her family past. Navigating between the sadness of memories, the melancholy of oblivion and absence, she reflects. Pain, necessary at some point, cannot be the only thing that guides her through grief. It exists, but the possibility of transformation is also there. In her search, she discovers that healing means leaving behind. To forget would be to evade, but to go through and overcome the past opens up space to love others and herself.

A collection of vignettes from Ostrobothnia.

Maxwell thinks about all the different things that scare us; from pretend monsters to traumatic news stories, and how it's okay to feel afraid.

Free adaptation of Mikhail Bulgakov's novel "Fatal Eggs", also referencing many science fiction books of the early 20th century.

Evil twins fool around with forces they don't understand.

A collection of fragmentary stories found in the Trans-Asia Express train. Embarked on a journey from Turkey to Iran, an unobtrusive observer, who doesn’t understand the language of her fellow travellers, videotapes her encounters.

This Documentary film explores the idea of the Cosmos, the theory that the universe is a well-ordered whole. I have always believed in the interconnectedness of the world. This is the concept that this visual diary goes on to discover and express. This film invites the viewer to let go, and look at the world as if each peice is a kaleidoscope. It asks the viewer to look deeply and with intent and to realize that we all are a part of the system that keeps the universe working as a whole. This film tries to narrate the life of the cosmos, as seen through the elements that make up my body.

Do black holes exist? What about dark matter? Dark energy? Weren't these things just made up to salvage evolutionary ideas? You'll learn that there is a good case for black holes with no need of evolutionary involvement. There's a good case for dark matter, too, while dark energy is a bit more speculative. Black holes and dark matter quite literally take our understanding physics to its breaking point, and they illustrate how God's creation holds many mysteries, while pointing undeniably to the Creator and Savior Himself!

Chapter directed by Isabel Coixet about the traditional role of women in Spanish society and the impact of gender-based violence crimes on the media.

A lumberjack, Doru, whose wife dies leaving the child she was looking after, Meda, at risk of being sent to an orphanage, decides to fight for adoption, against the odds.

A film that uses living objects to ponder the human condition, constructing animated visual metaphors for the machines and systems of the body, nature, and our society.

Maja’s life is finally coming together and her boyfriend couldn’t be more pleased. In the midst of moving out from their student flat, Maja’s evening takes a surprising turn when she stumbles upon an old relative who is without a doubt, dead. Nobody from the family is available to help, so Maja has to deal with it herself. As she waits for the authorities, Sara, Maja’s childhood friend, joins her. Sara’s more than keen on sharing her latest successes.

Spoof of the Hong Kong Blockbuster Infernal Affairs, the film is based on a bizarre and nonsense war between the police and the triads. Lek Sir sends Keung, Yan, and Fatty undercover inside Sam's garage to get evidence of any crime Sam has committed, so Lek can win back the heart of Sam's wife Mary.

This dialogue-free short film, Devochka I Veshchi (A Girl and Things), was one of Mikhalkov’s first student films, made under the tutelage of Mikhail Romm, himself a legendary filmmaker. It is a modernist (and very Soviet) look at a young girl’s interaction with the world around her and displays many of the strengths of the director’s later work, including his attention to milieu and his sensitivity to young performers. -http://www.vulture.com/2009/07/in_soviet_russia_nikita_mikhal.html