Streaming Thing

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

Agustín, a 70-year-old retired baseball player with a serious heart problem, faces a strong dilemma: whether or not to return to the baseball field.

After surviving a car accident, thirteen-year-old Edvin isolates himself from friends and family. When his father forces him to go to rehabilitation, he can no longer avoid dealing with his trauma.

Roger is an actor who fears being forgotten. Through metalanguage, it seeks to leave an interesting message to the audience watching the film ... But it's simply 15 minutes.

Documentary. The tranquil woods of the Loire Valley embrace the La Borde psychiatric clinic, an asylum in the truest sense of the word, where patients find sanctuary and repose. Patients and staff work together in rehearsals and preparations for their annual summer play. This year, they perform the modernist, absurdist classic, "Operette," by Witold Gombrowicz, whose dialogue is more nonsensical than that of the patients themselves.

Three college friends go on a creative retreat in the countryside to finish their dissertations. After university, Jana is planning on moving to Canada to study and Alba and Zoe want to live together. The hours spent together and the questions that emerge at the end of this chapter in their lives will mark their time in the house with nostalgia and an impending farewell.

The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.

The story of a father who tries to help his son to become a poet, but fails miserably.

A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)

The fundamental questions of human life about guilt, repentance, and redemption are posed in the two documentary essay - about the grief of the women from Sliven Prison who give birth to their children behind bars. Binka Zhelyazkova diagnoses the public through the stories of her heroines. The film does not appear on the screens after their creation, but only after the changes in 1989.

To please the God, one religion must worship her, another must kill her. To save one life, one must sacrifice another. Mohesh, a beloved cow owned by a poor Hindu villager, is prayed to as a God. When she has to be sold, her new owner sacrifices her in the name of God. A neorealist film, shot on location in rural Bangladesh, featuring both professional and non-professional actors.

Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.

When Éva’s suspicions that her husband Zoltán might have sexually abused their five-year-old daughter Anna are substantiated, she turns to her best friends one night. They try to support Éva but find it difficult to believe that Zoltán could have done such a thing.

A tormented father is driving his son to work. The young man will use this time to announce an important revelation.

During a film workshop, the filmmakers Astrid and Roozbeh create a conflict with the group of skeptical youngsters who wonder if they are really only used as cleaning staff.

Mia is a girl who lives in nature and understands its secrets. Along with a group of scouts, Branko is camping in the forest where Mia lives. The loneliness and curiosity they both carry will bring them closer and reveal the unknown.

Robinson and Theresa form a couple in crisis, who are reclused in the countryside with their two children, preparing for the collapse of the thermo-industrial civilization. The lack of desire and future perspectives make their lives impossible until they find a strange mushroom in the forest, whose aphrodisiac properties lead them to reconnect to each other. Unfortunately, soon they cannot live without it.

Europe was still split in two — the Berlin wall separated families, friends, relatives. The wall, built by people to divide people, was more than a physical barrier. East of it there was a regime restricting freedom of speech, access to education and information and career opportunities. It made simple things, such as the movie you are now going to watch, unthinkable. Those times are gone, but must not be forgotten.

A sarcastic and hilarious short archival documentary on the Korean military style, this film uses recorded footage of the Vietnam War and military educational films from the 1970s when Korea participated in the war with the U.S. As it wittily demonstrates the close connection between macho aesthetics and militarism/patriotism, it also criticizes the massacres carried out by the Korean army in Vietnam, and humorously questions a Korean society that, at the time of production, was approving the dispatch of troops to Iraq.