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We examine the unique manufacturing ecosystem that has emerged, gaining access to the world’s leading hardware-prototyping culture whilst challenging misconceptions from the west. The film looks at how the evolution of “Shanzhai” – or copycat manufacturing – has transformed traditional models of business, distribution and innovation, and asks what the rest of the world can learn from this so-called “Silicon Valley of hardware".
The horror classic, Nosferatu, remastered with a soundtrack by Type-O Negative and hosted by David Carradine.
An old couple, Eugenie and Armand, have been living in Paris since 1921 part of the wave of post-war immigration from Martinique. Eugenie, a former dancer with Josephine Baker's Black Revue has become a professional quimboiseuse (practising black magic) for a white clientele. Armand who had been a servant is retired. Now they are both old and bitter and still quarreling with each other. One day they set out, arm-in-arm for a last promenade in the metropolis.
The adventures and misadventures of New York Spanish-language radio personalities Luis Jimenez and Moonshadow, from the morning program El Vacilón de la Mañana.
A retrospective of the music featured in the 1983 film Valley Girl.
It is 1920. After three years of the Russian Civil War, communist government is finally established in Odessa. Young Alyosha Patrikeyv, who dreams of being a detective like Sherlock Holmes, joins the newly forming Odessa Criminal Police. He is assigned to fight illegal booz production in a small village of Severinovka. When he goes on a chase after a horse thief Krasavchik, Alyosha finds himself up against Cherven - the most dangerous criminal in Odessa.
In this decidedly cheeky and deliriously fun animation, a decent, hard-working wolf must rely on his physical gifts in order to make ends meet for the sake of his family.
Directed by David Greenberg.
A sarcastic Play of LBC "Al waadi" whish stared Haifa Wahbi, Khalid Al Aqroqa featureing the main cast in The Gang in Al-Waadi
Young prince meets a talking frog who turns out to be a beautiful but cursed princess. To remove the curse, he must go on a quest to find and outsmart the forest witch Baba Yaga.
In the service of Satan, a murderous vampire is turning wrestlers into his unwitting thrall, and it's up to Mil Máscaras and Superzan to stop him and save the world.
Two screwballs get mixed up with monsters, mad scientists and vampires.
In the Sichuan Valley, a center works to welcome giant pandas, their reproduction and their reintroduction into the wild.
The Valley of the Moon is a fabulous rocky headland that dominates the Sardinian Sea, in Italy. An original humanity inhabits this valley. Here, in 1971, a hippie community came to life. In the last 40 years the community has transformed itself: today travelers and artists of all sub-cultures, and from many countries come to the Valley. Mimmo and Antoine, the oldest members, spend their solitary winter enjoying nature in awe and doing the minimum to survive: cooking, searching for wood, water, vegetables, and herbs. Suddenly, at the beginning of August, the enchantment is broken by the invasion of the younger generation that, like migratory people, infests the valley and let conflicts emerge. The imminent and violent police raid will complicate the situation, accelerating the consciousness of decline in the protagonists. This story tells of the turnover of generations, the twilight of an idea, the poetic end of a cycle, through the personal experience of the elders.
Official entry to the first Metro Manila Film Festival in 1981 directed by Ed Palmos and starred Ricky Belmonte, Jean Saburit, Maria Victoria, Yasmin Ayesa, Alan Bautista, and Karen Lopez.
A symbolist portrait of two gypsies in love, this captivating film finds Dulac deconstructing onscreen gender roles and striving to achieve her idea of cinema as a “visual symphony,” emphasizing rhythmic editing over acting to achieve a “cinema of suggestion.”
As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.
Two friends who have not seen each other for a long time go on a trip to the valley together. As they spend the night in an abandoned house, forgotten childhood memories emerge.
Dormant spirits have been re-awakened in the Welsh village of Cwmgwrach. Can anyone stop the manifestation of ancient evil? Or is the village fated to pay for it's dark history?
