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This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.
A 19-year-old woman is killed by a bullet intended for her father in the tragic culmination of a bitter family feud between her father and his cousin, who is now imprisoned for murder. Or is her death just another twist in a saga of blood revenge? In the Albanian mountains, the ancient tribal law Kanun rules, and even though the killer is behind bars, the last word in the case has not been spoken. Religious and legal authorities - like the families involved - have their own powerful and conflicting interests in the controversial law, which is a taboo both in church and modern society. The question, however, is if the young woman’s father can find the faith to not only forgive his cousin, but also reconcile himself with him and break the vicious circle once and for all? Marija Zidar’s epic drama was filmed over 5 years in an obstinate patriarchal world, on the threshold of modern times. A mountain western from the old world, from the stuff of antique tragedies.
Alexander and her friend Diosa start working in a furniture store, Alexander suspects that the owner is involved in a murky business.
the movie about Record
A bounty hunter disguises himself as an Indian. He wants to prove against a deceased landowner that she led a double life as a wanted robber and murderer. He pretends to be a shaman in order to confirm his suspicions behind the back of her grieving maid and then disappear with the body. Unfortunately for the bounty hunter this does not agree with the maid, who has her own plans for him...
Metalanguage and irony about what makes a film, film.
A quiet, intelligent, seemingly pleasant family lived their lives neither good nor bad. After death, they were sent to Purgatory - an intermediate state of souls. Here they are doomed to endless tea-drinking for small talk and solving the economic affairs of the office of Hell. To pass the recertification and determine their souls in Heaven or Hell, the family will have to complete the task of the more than cunning Lucifer: when the affairs of unallocated souls "accidentally" get at their table, how will each of them manifest themselves? Condemn? Have mercy? Or maybe he will return the papers that do not belong to him?
In June 2008, Yang Jia carried a knife, a hammer, a gas mask, pepper spray, gloves and Molotov cocktails to the Zhabei Public Security Branch Bureau and killed six police officers, injuring another police officer and a guard. He was arrested on the scene, and was subsequently charged with intentional homicide. In the following six months, while Yang Jia was detained and trials were held, his mother mysteriously disappeared. "One Recluse" is a documentary that traces the reasons and motivations behind the tragedy and investigates a trial process filled with shady cover-ups and questionable decisions. The film provides a glimpse into the realities of a government-controlled judicial system and its impact on the citizens’ lives.
Inststamatic pictures − sewn in and reversed. These images were all very ordinary with typical scenes from a family album: vacations, trips abroad, family gatherings etc. The sewing threads in the pictures − coast sewn to ocean, clouds to sky or people sewn to each other − marks a way of codifying the emotional structures and relations in the images, thus controlling an interpretation of them and highlighting (while at the same time trying to bridge) the gap between image and reality.
Rashid Marshawi takes us on a special journey across the historical city of Jaffa, where his father was forced to leave in the 1948 exodus. With his own voice, Marshawi narrates his memories of the city, bringing to life the waves on Jaffa’s shore, the sounds of its streets, and the sweetness of its inhabitants and its spirit. Recovery is a splendid cinematic experience that attempts to cloud the border between time and space as Marshawi takes us on a tour of magnificent photos from 1930 to 1948, allowing his nostalgia to breathe a new life into the static bodies portrayed.
Early experimental PR "cine-poem" by Toshio Matsumoto. Commissioned by Kansai Electricity, the film paints an abstract, near-wordless retelling of the development of power stations in Japan, through to the presumed oncoming advent of nuclear power.