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The Inventory intertwines the heart-wrenching stories of families in Mexico searching for their forcibly disappeared loved ones with the work of a committee of linguists. As the committee updates the dictionary, they uncover how language is manipulated to perpetuate institutional violence, revealing the profound impact of words on justice and memory.
The objects found inside the house seemed of little historical importance - two diaries. But taken together, they form a fantastical little story… and so a filmmaker finds herself caught between fiction and memory, believing in impossibilities.
The creative yet debt-ridden inventor Fred must sell his beloved prototype of an aeroplane. Fred’s wife is ill and needs expensive medicine. The buyer is the usurer Frank, who doesn’t understand technology other than a status symbol. Thus, Frank needs a pilot, and Fred swallows his pride and takes the job. On the day of the test flight, a violent storm is brewing. Will Fred’s own invention seal his fate? (Stumfilm.dk)
Little Fox动画故事Level05：Iggy the Incredible Inventor
John Philip Holland is the Clare born inventor of the modern submarine. A self proclaimed pacifist, he created one of the most formidable weapons of war. An Irish patriot, whose first working submarines were funded by Irish revolutionaries in the US, he later developed the first US and British submarine fleets. A self taught genius of the late 19th century, his remarkable legacy is neglected and forgotten.
From flashes of genius to curious experiments, humankind's innovations lead explorers and inventors on a brilliant journey of discovery in this series.
Tenants of one old building in the centre of Münich are featured in this film: most of them are foreigners who work in Germany as "guest workers" (Yugoslavs, Italians, Turks, Greeks etc.). In their mother tongue, each of them tells who he or she is, and briefly talks about their major worries, new hopes and plans for the future.
Difficulty of human relations in a 3-cornered tale: a neurotic woman, idealistic young man and his mother. Tomek is a clean-cut, high-minded geography student. He lives with his mother Zofia, a sensitive, practicing Catholic, like her son. When he meets Julia, a depressed woman older than he, he first tries to comfort her, then invites her to stay with him and his mother. Tomek makes a trip to West Berlin to visit his well-off father. He refuses to take money from him and looks for work as a house painter. Julia ends up in a rest home for treatment, while Tomek is trying to make their relationship work.
A family gathers to celebrate Christmas.
A group of children live in Nanshan, but the school is in Beishan, and it takes time and effort to go to school every day. To overcome difficulties, we must find a way. Xiao Lingzi is really smart. She builds a conveyor belt one by one to go over the mountain. Her suggestion was approved by everyone. With the collective wisdom and the help of the teacher, they finally used the windmill to create a conveyor belt from the North Mountain to the South Mountain. Amid the singing and cheers, they successfully crossed the mountain with machinery for the first time .
Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.
Paweł Łoziński’s documentary is a short, metaphoric story, undertaking a problem of memory, identity, searching for traces of the recent past. Here, on thirty hectares in the city centre, the inventory is being made – it is to lead to reconstruction of a lost city. The camera focuses on details, showing fingers touching an obliterated inscription or a laborious process of decoding letters excavated from the ground, because each of them means something.
In the Renaissance castle of the Polish count - Jan Potocki - in Lancut, the modern traces of a past glory persevere and become visible again at the tones of Krzysztof Penderecki's music and Brothers Quay's imaginary animation.
A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas' film Summer Hours, and its approach to art.
135.072 frames form the audiovisual inventory of a life edited by the images. This documentary made of archival material explores what lies at the edges of the frames, what rests in the middle of the cuts, what the out of focus and the low definition hide, what stereotypes and codes veils. They are images produced over the last ten years by me and other filmmakers to superficially portrait the forced disappearance of Irina and the political activism of her mother, Blanca Díaz. I wanted to make this inventory, to classify these images, to re-edit them, in order to unveil what they are hiding, to dismantle their regime and to understand how they have crossed Blanca’s life; how to build a life that has been edited by the images.
Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.
A middle-aged couple go through emotional crisis. They cannot see the light at the end of the tunnel until a total stranger injects new energy and hope into their impoverished and restricted life.
A group of friends from high society get together during the pandemic to spend a weekend. Everything becomes gradually perverse. Fate is summoned; lust, passion and alcohol, the perfect cocktail for a tragedy.
Lost short film by Georges Méliès.
