Streaming The Ce

A Lebanese Christian girl of European origin is attracted to a visiting Muslim chief and rides off with him.When her Christian fiance brings her back,she is punished for her transgression.

Cesare is an old and solitary man. One evening his neighbor asks him to look after his son Kadim for the night.

It tells the history of civilization through the objects of the Museo de La Plata.

In the labyrinth of love a game of contradictions takes place: two women fight a duel with their feelings; one is reason and the other is the heart… but the labyrinth proliferates until it culminates in the ritual of disorderly blood and overexcited viscera.

A luncheon on the grass among the tombs. While the living are living, the voices of the dead are floating in the air. When lunch-time comes, the “Cimetière des Rois” (“Cemetery of Kings”), downtown Geneva, fills up with residents, workers, employees, students of the neighborhood. People come alone, in pairs, with friends or colleagues, to have a snack on the grass or to take a break on a bench. The living and the dead share a same space-time. Mixing contemporary Super 8 footage of people on the cemetery and sound archives of the personalities bored there, MIDI DANS LE CIMETIERE (NOON IN THE CEMETERY) is a short essay film, a kind of experimental documentary. If it was a painting, it could be a Vanitas, “a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death.”

Narrated [not only] with puppets, a dramatic vision of Latin America throughout the 20th century with its constant ferment of dictatorships, hunger, corruption, civil wars, heroic episodes and spilled blood.

More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.

A hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12th. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek.

“In order to strengthen the happiness, sense of belonging and sustainable development of residents in Colaone, the “Coloane Construction and Development Association(Macau)” will hold an opening ceremony for the audience of Macau. Together with representatives of development areas in Coloane, we sincerely invite you to join our ceremony to witness a historical moment of Coloane.”

Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery.

From a Kafkaesque office for social media in Germany and on to Sudan, and to conversations with an Iranian Ayatollah, an Indian film censor and critical journalists in China. The Norwegian Håvard Fossum has travelled the world to understand what censorship is, and how censors work, both in theory and in practice.

Based on a research process on the Entity of Film Rating, The Bleeding Screen: Brief History Of Argentinian Cinema Censorship explores Miguel Paulino Tato’s interventions in cinema and audiovisual media during his time as intervener in the 1960s and 1970s.

Documentary film about sending off to the army, collected from the video archives of the Stanytsya Luganskaya Local History Museum.

The images of the condemnation and execution of dictator Nicolae Ceaușescu and his wife Elena on Christmas Day in 1989 are etched deeply in the collective unconscious of several generations of television viewers. Exactly 20 years after its occurrence, the famous show trial was re-enacted in a historically reproduced setting. The film interweaves the stage production with interviews conducted with eyewitnesses and archive material, and takes a look backstage in the Odeon Theatre in Bucharest.

In Toaru Kagaku no Railgun T Mikoto Misaka and her friends prepare for the Daihasei Festival, a seven-day sports competition between different Esper schools, which, of course, also include the Tokiwadai middle school. Misaka and all other students of Tokiwadai are highly motivated and ready to do their best in the upcoming competition. However, all the fun ends, when another dark secret of the Academy City of Science and Technology is uncovered.

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.

Early Balkan footage.