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A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
Series re-examining the evidence from British au pair Louise Woodward's murder trial 25 years ago. Includes unprecedented access to witnesses, the defence team, the prosecution and members of the jury who decided her fate.
Freddy, a 48-year-old bachelor with no children, who continues to live as if he were a teenager, meets Aylín, a 30-year-old girl who arrives in Lima, and is surprised that she could be his daughter.
Secretly engaged to Bernice, Albert becomes infatuated with the gypsy Mina. The rich and jealous Renard is in love with Mina enticing her father to take revenge on Albert. A scuffle ensues during which Renard accidentally stabs Mina's father but allows everyone to believe Albert guilty of the crime. Bernice hears of the events and breaks off her engagement to Albert. He is pursued by the police until a last-minute confession saves him.
A diary of an office lady.
Jean’s father is always busy at work, so he spends most of his time with his nanny Yvette and neighbour Michelle. His mother is away but nobody talks about her. Luckily Michelle is on hand to read postcards about Mum’s Wild West escapades and, even though they seem far fetched at times, they keep Jean happy. At school, the steel marbles Jean takes from his father’s factory are valuable playground currency but their removal has unexpected consequences. This delightful, bittersweet animated film, based on the best-selling children’s story by Jean Regnaud and Emile Bravo, is a joyous, thought-provoking tale about childhood loss and the need even for adults to hide from the truth at times. (Source: LFF programme)
Director Hazel McKibbin and a terrific cast led by Honor Swinton Byrne capture all the complicated moves in the dance of dominance, deference, and self-diminishment that takes place when a young woman brings her new boyfriend to his first family visit.
An industrious criminal plays his game so crookedly that he "double crosses" himself.
The Stockmans are the perfect couple...young, successful, and deeply in love...but they have one problem: They want children. Since Rachel suffers from severe bi-polar disorder that has to be controlled by lithium, she can't risk getting pregnant. But because of her mental health history, they are bad candidates for adoption. Finally Rachel gives up on the system, and does things her own way...she goes off her drugs and gets pregnant. The ensuing nine months get worse and worse for the young woman, as there are legal battles to end her pregnancy in order to force her back on the drug.
When an outrageously joyous woman becomes diagnosed with a fatal condition, a YouTube video convinces her dancing once a day can save her life.
Veronica is full of life, as befits a ten-year-old girl. However, when she accompanies her grandmother to the oncology institute together with her mother and older sister, she slowly begins to understand that life can sometimes be bitter.
Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family's Virginia farm. Her brother stages an intervention with seven of Sam’s friends to persuade her to return.
Two years ago, popular actress Shu Xing attended a dinner party where she was framed for murder. The public's opinion of her instantly fell, as she fell into the abyss. After dormant for two years, she made a domineering comeback, vowing to find the truth of the year back, so that all those who did wrong will be punished! As the plan unfolded, the secrets hidden by Ling Yun, Guangyue, Su Yu, Molly and others gradually emerged. Ex-boyfriend Gu Chen and current boyfriend Jingming were also involved....Faced with the chaotic and complex emotions, how will everyone complete their salvation?
A married woman is reunited with her childhood sweetheart, and marries him too, forcing her to live two lives at once.
It's a Hong Kong film.
Rich reds, opulent yellows, deep indigos, and other vivacious palettes present in this "b-horror" film mirror its theatricality and intensity. This film pokes fun at tropes of women within horror cinema specifically the "vanity girl," the "mystical pregnancy," and "running/final girl" tropes. It's dark but humorous. It's inky but colorful. It’s a blending of media; film and video, digital and analog, with references to the internet, cinema, psychedelia, and pop music. This film was digitally shot and manipulated with the Sandin Image Processor.