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Mary, a woman with good intentions, takes pity on Henry, an artist with no home. What begins as a simple offer to come inside from the cold for tea gradually turns into more. Before the unsuspecting woman knows it, Henry, his family, and his friends con their way into her home. Eventually, Mary creates a ruse to rid herself of the parasites, but they have a different plan.
Dr. Bhaskar, a Magsaysay Award winner, returns to his native village after forty years accompanied by his doctor son and American daughter-in-law. While watching the ruins of his ancestral manor, Dr. Bhaskar remembers the critical year before his joining medical college. It was not his Gandhian freedom fighter father nor his feudal uncle or romantic elder brother, but his mother who motivated him to be a doctor for the service of the poor. She believed that is the only way to appease the Guardian Spirit of the house. Bhaskar is indebted to another woman, Krishnatai, his brother's lower caste lover, who was enlightened enough to support his mother's dream. Bhaskar is now back home to fulfill the wish of his mother
For 15 years the large estate of Samuel Arnold has stood silent and empty. But like a midwinter's breeze, in the lonely hours of the night, something stirs in both the dreams and reality, unable to find any peace. When Aubrey, last of the family line and leader of an all-girl band, moves her band into the house, the lurking horror of her family's true legacy reveals itself as she fights desperately to find the truth and reject her dark inheritance.
One night, a police department receives a call complaining about screaming coming from a house. The police find Ingorn (Mai Charoenpura), a 30-something land lady who is just moving in with her 7-year-old daughter, Pear. The daughter appears to have a mental condition and she has bruises all over her body. Ingorn insists on not letting her daughter have a thorough check-up at the hospital, but according to parental law she has to allow her daughter to see a psychiatrist. During the therapy, Pear claims that she is possessed by a spirit of a boy who haunts and hurts her...
When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.
Live from the Royal Opera 2008. David McVicar’s powerful 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role. Salome is filmed for the big screen with High Definition cameras and recorded in true surround sound.
A young girl's enchanted present leads her on a wonderful adventure in this classic ballet recorded at the Royal Opera House in London.
Ben and Liz are a married couple still coming to terms with Liz's recent miscarriage. Too distraught in the weeks after it, she quit her nursing job, and Ben is struggling to hold on to his accountancy job after a round of redundancies. Things are not that great between them right now. In a bid to make some money on the side to help out, Liz accepts a shady modeling job for Philip, an intense photographer who works from his sprawling house in the middle of nowhere. But Philip isn't what he seems...
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.