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Gus Shy, an ice cream man, gets embroiled in a vicious gangland feud.
Mid-80s L.A. Concert
A film by Alan Clarke for the 'The Company of Five' anthology series.
A man becomes lost in the woods and demons torment him by conjuring horrible things in the dark—like his own mutilated corpse.
"The southern border of Thailand is dangerous, scary, you shouldn't live there, it's full of violence." That is how it's mostly presented in the media. But what is the southern border really like? This documentary will guide you to another perspective through the eyes of a female-female couple.
A documentary about the underground hip-hop culture in Japan as of 2003. It capture a thriving underground hip-hop scene, touching on a diverse range of artists including graffiti writers, rappers, beat-boxers, breakers.
With rare film material, this documentary creates a unique portrait about The Beatles, as John Lennon, PaulMcCartney, George Harrison and Ringo Starr are back to conquer the United States with their first full fledged North American tour in 1964.
A film made entirely with foil paper, exploring its possibilities in the realm of the audiovisual. For each frame a new foil paper landscape was created changing the parameters of light and perspective. In order to match the rapid flow of images several foil paper sounds have been restructured and edited.
A faux 1950s trailer for a sci-fi film in which the crew of a runaway rocket lands on a lost world and encounters a hideous alien menace.
Veteran director Jack Rammer stages a comeback only to find himself confronted by characters of his own creation.
BUCK-TICK's "CLIMAX TOGETHER" which was done on the same date, the same place in 1992, 2004, 2016 and 12 years cycle. It is a track of "BUCK - TICK" evolution that will continue to operate in major scenes from the dawn of Japanese rock industry. Death of familiar people, global terrorism, threat of nature. A deep bond and affection with fans who keep closing together no matter how many years passed. By sharing sorrows that never can resist and the joy that anyone can not take, a message was born and a song was born. The work now approaches the core of "CLIMAX TOGETHER" and "BUCK - TICK", by interviewing the members, and re - editing the images released as works until now as unpublished scenes, for 32 years since the formation It became a work that can recognize the growth and ties of the members who have been walking.
In this very long and very informative video interview, co-writer Yoshiki Takahashi explains how he got involved with Cold Fish and discusses his preparation of the script, the case that apparently inspired the film, the main characters, etc. The interview is conducted by filmmaker Norman England.
In this reimagining of the short story “Bartleby, The Scrivener,” written by Herman Melville (1853), the Scrivener finally finds her voice.
The National gallery needs to decide whether the Munch's The Scream should be moved for Norway's annual arctic race
A non-linear compilation tape featuring clips from several horror films.
‘Kevin’s piece on his childhood experiences with the film Platoon are an example of the very power of cinema to shape our relationship with the world, and the world’s relationship with us … an experience of childhood trauma so visceral, that I haven’t just gained new insight on the war epic itself.’ (Cidnii Wilde Harris)
2005 Spanish experimental short
The programme shows Primal Scream's Bobby Gillespie's fascination with music from an early age, listening to the sounds of Elvis and Aretha Franklin before graduating to punk. He talks about his passion for music and how to keep creativity on the right track. In the early 90s the UK music scene was changing - with Oasis and Blur emerging, this alternative rock band was recording in Memphis but suddenly sounded out of step with the music scene.
O’ Magic Power of Bleakness takes you through the doors of Tate Britain’s galleries into the underside of a motorway flyover – more specifically, the M53 Eastham Rake Bridge near the artist’s childhood home. Leckey brings the audience into a replica of the concrete space frequented by children and teenagers with nowhere to go, including the young Leckey himself.
Three black teens try to get rid of the local drug dealer while picking up white girls, hookers and learning to rap.
