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THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy Poling, Omebi, Sarah Toon and Owleyes, Dania Myers, ∆AIMON

Herman and his little cousins gave to seek other housing arrangements as the building they live in is being torn down. After a long search, Herman finds a place behind some pipe in a new skyscraper being constructed. The only drawback is that Katnip has already taken up residence there.

Screen Test of Bibbe Hansen at age 15.

An animated super-8 horror film made up of still photographs. "My friend Reynolds – also the painter in ‘Petit Mal’ – purposely cut her leg and we poured her blood onto the celluloid surface of ‘Screaming Susan’ to authenticate its horror status. I imagine the film’s surface must be very sticky now. It might not even be projectable!" (B.B)

Casper, the Friendly (and always helpful) Ghost, finds a lost crate containing Ozzie, a baby ostrich. Casper tries to deliver it to the address on the crate while the baby ostrich is eating up everything in sight. After finally completing his mission, Casper realizes that he has delivered Ozzie to a taxidermist's shop, and he must rescue Ozzie.

Caspar masquerades as a snowman and teaches a young boy to ice skate, so he can race with his older brother.

Roscoe 'Fatty' Arbuckle confronts the Kaiser in his headquarters, and tells him that he will be be defeated by "scraps of paper," i.e. War Bonds.

Two brothers look at a blue screen where their father is judged by a near future technology call : THEMESIA.

A promotional short film made by Stoll Film Company to select an actress to appear in one of their feature films.

Some anonymous man brutally abusing a photographer boy on online meeting app.

A misty midnight. Music plays in one house, in the other, a man brushes his teeth. More and more sounds are heard yet the darkness hardly reveals where it's all coming from. It's midnight. Isn't anybody asleep?

Screenwriter Scott Rosenberg -- whose credits include Gone in 60 Seconds and the BAFTA-nominated High Fidelity -- shares his methods, experiences, insights and secrets about writing for Hollywood in this revealing interview. "The Dialogue" is a series of in-depth discussions with top screenwriters, hosted by industry veteran and film fanatic Mike De Luca.

Writer, director, producer MARSHALL HERSKOVITZ is one of the most prominent figures in film and television. With partner Ed Zwick, whom he met while attending the American Film Institute, Herskovitz created and executive produced the highly-acclaimed television shows thirtysomething and Once and Again, and wrote the film The Last Samurai, starring Tom Cruise. He served as producer on the films Traffic, I Am Sam and Dangerous Beauty, which he also directed. In this revealing interview, you ll learn his theories on why writing is hallucinatory, directing is a samurai job, and how movies are like aircraft carriers.

In this installment of the Learning from the Masters series, screenwriter Jim Uhls explains how he wrote the screenplay for Chuck Palahniuk's seemingly unadaptable novel Fight Club, which became the subversive 1999 hit directed by David Fincher. Uhls describes how to adopt a journalistic strategy when developing a killer pitch, as well as his peculiar approach to interviewing his own characters.

Ted Griffin is a man who knows a good con. Anyone who tried to follow the clever criminal head games he built into his screenplays for Ocean's Eleven and Matchstick Men knows not to trust this guy; except when he talks about screenwriting, which he does with great humor and insight in this enlightening interview that ranges from his early work on Ravenous and Best Laid Plans through the unexpected pitfalls of trying to direct his first film, Rumor Has It...

Callie Khouri's seminal, Oscar-winning® screenplay for Thelma & Louise, released in 1991, gave voice to a profound cultural moment and became one of the most provocative cinematic landmarks of the '90s. It was the Kentucky native's first attempt at a screenplay. In this enlightening interview, Khouri describes how spending years doing music video production in the '80s inspired her not only to write, but to write with a purpose. A passionate activist with a resume that includes Something to Talk About and her adaptation of Divine Secrets of the Ya-Ya Sisterhood, which she also directed, Khouri discusses in detail the pressure of living up to such early acclaim, what it's like to be a woman in the industry, and how the state of the world around you fuels and shapes your creative mindset. Also a frequent script doctor and former Writers Guild of America board member, Khouri delves into the ongoing issues facing the WGA, its membership, and its much-maligned arbitration process.

David Goyer knows how to bring comic book heroes to kicking, screaming, vengeful life, as he did in The Crow: City of Angels, the Blade series, and Batman Begins. In this wry and surprising dialogue, he reveals his tricks of the trade, how to hook an actor's ego, and why fear can pay the bills.

Ed Solomon, screenwriter for blockbusters such as Bill and Ted's Excellent Adventure and Men in Black, sits down for an in-depth interview about life in the Hollywood fast lane, from breaking into the business to having a script produced. Entertaining, informative and candid, Solomon reveals what the life of a working industry screenwriter is really like in both television and film.

Hollywood screenwriter extraordinaire Peter Tolan gives a compelling and candid interview about what it's like to live and write in Hollywood, working on such groundbreaking TV shows as Murphy Brown and films such as Analyze This. Confessing to his penchant to procrastination and other entertaining revelations, Tolan offers an insider's look into what it really takes to work and thrive as a scribe in Tinseltown.

Few screenwriters can concentrate for more than a few hours, let alone sustain a career in Hollywood for over 30 years. But the blockbuster comedy writing team of Lowell Ganz and Babaloo Mandel has been making television and film audiences laugh for decades. In the early '70s, Ganz was writing for The Odd Couple while Mandel was receiving his first paychecks for work on M*A*S*H and Busting Loose. In total, Ganz and Mandel have written an astonishing 18 produced feature screenplays, including City Slickers, A League of Their Own, Mr. Saturday Night, Forget Paris, Where the Heart Is, Robots, and Fever Pitch, while also maintaining a "secret career" of un-credited rewrites on studio comedies.