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When Sylvester hears that a children's museum's prize exhibit is Tweety Pie, he tires to raid the museum in order to have lunch. He doesn't succeed in his mission, due to Tweety's smartness, and the children.
After finding some relics in an open grave, two young siblings share an up-close experience with death at the cause of their own hand.
Women who have made a career out of starring in the B horror and science fiction genres are interviewed, and clips and trailers from their films are shown.
In this campy homage to Ed Wood, two showgirls cruise the South American countryside to stop a maniacal killer and find missing diamonds.
A movie director needs a script girl . A strip girl, misunderstanding the job title, shows up.
A newlywed and recent father wins $6 off a scratch-off, which kickstarts a “lucky week” of mismanagement as a wound on his leg slowly grows more infected.
They don't know him. Nobody knows him.
When faced with the crushing realization that he is a hack, a successful and cocky screenwriter must stumble his way through filming a MasterClass without ruining his reputation.
A woman is persecuted by Jesus freaks after they've crucified her preacher husband.
1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.
Documentary tracing the rise of the 'slasher' movie.
Features live footage from the Greed/Holy Money tour in 1986 in London and Nottingham and the A Long Slow Screw video.
In this heartwarming holiday musical, the Smith family grapples with life changes and new love in a bustling St. Louis on the brink of the 1904 World’s Fair. This special digital adaption from Charlotte Moore (Anna Smith in the original Broadway cast) will include favorite tunes, including “The Trolley Song,” “The Boy Next Door,” and “Have Yourself a Merry Little Christmas,” along with the romantic suitors, comedic misunderstandings, and jovial pranks that make this classic musical a holiday treat for families of all ages, no matter where you’re celebrating this year. This new digital production, filmed and edited remotely amidst the COVID-19 pandemic, is an abridged version of the Broadway musical Meet Me in St. Louis (1989), based on the 1944 film of the same name starring Judy Garland. Irish Repertory Theatre last presented Meet Me in St. Louis in 2007.
TCM host Robert Osborne discusses his life and career with guest interviewer Alec Baldwin in commemoration of Osborne's 20 years with the network.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Enrico struggles with his dysfunctional family and cheating wife, and eventually makes plans to kill them all.
Set within Chicago’s labyrinth of alleyways, Scrappers is a cinema verite portrait of Otis and Oscar, two scrap metal scavengers searching for a living with brains, brawn and battered pickup trucks. The film shows how globalization, the 2008 financial crisis, crackdowns on undocumented immigrants and widespread scrap metal theft effect these men and their families.
Oscar-winning writer, director and producer Paul Haggis (Crash) reflects on his remarkable journey from television to feature film in this lively conversation conducted in the same spirit as "Inside the Actors Studio." The program is part of a series of in-depth talks between industry professionals and more than two dozen successful screenwriters, who candidly discuss their careers and their varied approaches to the writing craft.
Behind the scenes of the making of Driving Miss Daisy (1989)