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Sorokdo is an island of Korea where the scars of the wars are visible. Wars that sowed confusion, suffering and injustice in a society concentrated on its economic development.

Alles Leben ist Kampf (English translation: All Life is Struggle) is a National Socialist propaganda film produced in 1937, directed by Herbert Gerdes, and W. Hüttig. This film is about the disabled and the lawful decree of the prevention of hereditary diseases being passed down to the next generation through sterilization. At the same time, a call for hereditary healthy Germans to reproduce so as to avoid the death of their people. It was one of six propagandistic movies produced by the NSDAP, Reichsleitung, Rassenpolitisches Amt or the Office of Racial Policy from 1935-1937 to demonize people in Germany diagnosed with mental illness and mental retardation.

Short silent Dutch animation film.

Documentary about the German painter Oda Jaune.

Nanni Moretti talks about films while he works out with a personal trainer.

A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15­year­ old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.

Joep (18), Anouska (23) and Ciska (21) go on a guided youth trip to the sunny party town Blanes. They have a mild intellectual disability and find it exciting to go on holiday for the first time without parents. But once they arrive in Spain, they experience a freedom that they don't have at home.

Fall 2014: two women, a journalist and an activist, are slowly losing their coherent worldviews. After a chance encounter, their perspectives on the refugee crisis, on politics, work and capitalism collide. What emerges is a road movie through rural Greece, in pursuit of invisible borders and an attitude toward our present times.

The story of a miner's wife in the Ruhr area, and the story of 40 years of a worker's life in Germany. The biographical film acknowledges the proletarian tradition and is considered to be one of the most important documentary films of the late 60s that tried to combine the private sphere with the reality of society. The film's fascination lies, above all, in the personal charisma of the miner's widow from Duisburg. She knows how to tell the story in a vivacious and exciting way.

Documentary about “Os Mulheres Negras” , the world´s third smallest big band, discussing music, aesthetics and creation in Brazil from the 80´s till nowadays.

On a forgotten and solitary island a group of evil guys organize special hunting seasons. A place where everybody with no moral but enough money can go for a hunt on humans. The former soldier and cop Even Harder (Dennis Jürgensen) is kidnapped and declared the next prey target. But he turns the tables and starts a one-man war against the organizers and their clients.

"Here it is very nice at the Moment" is a triptych. In the first part, "Maria und die Welt", Ute Aurand films Maria Lang in 1995, who moves to the countryside to take care of her mother. The second part, "Familiengruft - ein Liebesgedicht an meine Mutter" was produced by Maria Lang in 1981. It tells about what we most often keep quiet - prohibitions, barriers but also love. Twenty-two years later, Ute Aurand films Maria's daily care of her mother, now ninety-six years old: edited in 2006 by the two filmmakers, "Der Schmetterling im Winter", composes the last element of the triptych.

Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces.

A young film crew searches for ways out of the climate crisis. In different cities they meet people who commit their lives to preserving our environment in different ways. In inspiring conversations they talk about their thoughts, motivation and hope and why we have to break out of our comfort zone. 8 protagonists try to reach out for solutions for climate justice in our future and open up perspectives of hope.

Piet is gone tells the story of Piet Beentjes, who went missing on the isle of Texel in 1987. For 30 years, Toos Beentjes has desperately tried to uncover the truth behind the mysterious disappearance of her homosexual brother. In vain. The police saw no reason to investigate the case: 'Eventually, he’ll wash up. And if not, the tourists will find him.' The film is not a quest for Piet Beentjes, but tells the story of what happened before and after the disappearance. About the Kafkaesque world Toos entered after her brother disappeared. A world of routine, lackadaisical interest and a lame police investigation.

Is there any agreement between colour variation and sound rhythm? Flashes of colour, synchronously shot to a fragment from the ‘Bolero’ by Ravel’.

A teenager is left alone at home when his family travels for a vacation. He calls his friends to come spend the night with him. As he waits his Dream-reality confusion (DRC) starts to reappear.

A look into the tumultuous life of Johannes Kerkorrel and the Voëlvry movement during Apartheid South-Africa