Streaming Retou

When Troy has fallen and Ulysses sets sail for home, his ships are driven to different lands, where his adventures are numerous, keeping him away from his native land for ten years. As time rolls on without his return he is looked upon as dead by everyone except his wife, Queen Penelope, who firmly believes that her husband still lives and will some day return to her.

A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.

The owner of Black Angel is shot by Mamba, a killer in the pay of the Chinese mafia. The victim's daughter, who witnessed the murder and knows she is threatened, refuses to collaborate with the police and prefers to call on an old friend of her father's, Lemmy Caution, but is this man, who lives on an island paradise, still old enough to play the vigilante?

Between a wave’s rhythm and the breath of a young woman in her sleep, some animated paintings go on modifying each other.

Bergala makes Erice wander about (DV in hand) between Madrid and Paris remembering those primeval scenes in his education as a filmmaker, retrieving places more alive than ever in his cinéphile memory. Paris-Madrid, allers-retours fuses genealogy & elegy, diving into the roots of Erice’s oeuvre.

Wanting to complete the research of her doctor husband, a former actress returns to the stage and therefore abandons her home. Badly supervised, her little boy runs away. We find him ill in the Alps. He is saved by his father and the parents' union is sealed again.

Dönüş - Retour. “This is war. The cover is closing”. Jérôme Bastion is a correspondent for Radio France Internationale (RFI) in Turkey. He has lived for 20 years in Istanbul, becoming a reference for the French speaking radio audiences in world. A voice for civil rights and freedom of speech, Jérôme has witnessed Erdogan’s Turkey returning in the state of violence and deprivation of freedoms, a situation, that reminds him the status quo when he first arrived in Turkey. Dönü.–Return is a character-driven current affairs documentary that deepens the ongoing decline of Erdogan’s Turkey towards an authoritarian and undemocratic state, where opposition, civil rights and freedom of speech are strongly and violently oppressed.

Trying to acclimatize a group of overworked city dwellers from very different backgrounds to the open air and work in the fields, such is the unusual challenge that an original practitioner, the curious doctor Bouvard, is attempting. The trial, which involves many risks, gives unexpected but not disappointing results.

In Retour d'un repère composé the same material is presented successively in three different versions : the first third is a straight single print which corresponds exactly to Retour d'un repère. The second third is a combined picture printed twice onto the same film strip (the second printing being in another tone and shifted back one frame) and the third section is a combined image printed in a similar way thrice. The length of Retour d'un repère composé is necessary : in the process of viewing the film the work gathers momentum thus giving access to a more intricate visual experience. "Composed recurrence" is a rough translation of Retour d'un repère composé as one loses the "point of reference" aspect concerning "repère".

Detective Nick Cotine returns in this sequel to "Les folles aventures de Max La Barouette"

Tony, in his forties, works in a shoe factory. His wife, Sophie, cultivates a small garden and babysits. Since the couple is over-indebted, they live in a mobile home in a campsite. While the budget is tight, and every expense is noted, Rémi, their seventeen-year-old son, returns to live with them.

Back in his home town of Babylon after a long exile, the Iraqi-born director Abbas Fahdel asks himself: "What has become of my friends? What has life here made of them? What would my life have been like if I hadn't chosen to build my destiny elsewhere?"

A terrible evening when Francine learns the hard way that you should never take money from the ATM when a beast from outer space is on the prowl. This film by Marine Poirson and Lionel Richerand was produced in 1995-1996 as part of the post-diploma "Image and Computer Workshop" at the National School of Decorative Arts.

A woman picks up and starts reading the book The Hero in History: A Study in Limitation and Possibility by Sidney HOOK. Her image juxtaposes with found footage of the 1967 riots showing thousands demonstrating on the streets as if it was a carnival. Truthfulness and limitations of recorded images are brought into discussion.