Streaming On A Grandi Ensemble Grat

Award-winning Fox Television Special, which includes never before seen UFO footage. This collection of clips and videos shot all over the world shed light on the long-debated presence of aliens on planet earth. Hear it first hand from a range of experts, giving their professional opinion on the authenticity of the footage provided.

With a tree-lined river bank dominating the top and back of the frame, the Charles River flows toward a stationary camera. A flotilla of canoes passes by. Some have one occupant, some two, a few three or four. Some men wear ties, a few wear boaters. Only a handful of the canoes have more than one paddler. None go quickly. There are more than 40 canoes packed close together. Off camera, down left, they seem to make a circle and head back to enter the frame from the left.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

The Late Show With David Letterman, New York City, USA, Ed Sullivan Theater, October 3, 2007 Long Dark Night I Can't Take It No More Bad Moon Rising Who'll Stop The Rain Born On The Bayou Green River 110 In The Shade Joy Of My Life Centerfield Glastonbury Festival, Pilton, Somerset, UK, June 23, 2007 Who'll Stop The Rain Sweet Hitch-Hiker Lookin' Out My Backdoor Born On The Bayou Midnight Special I Heard It Through The Grapevine Lodi Cotton Fields Have You Ever Seen The Rain Up Around The Band Keep On Chooglin' Down On The Corner Good Golly Miss Molly Bad Moon Rising Fortunate Son Rockin' All Over The World VH1 Storytellers, New York City, USA, NBC Studios, June 6, 1997 Lookin' Out My Backdoor Proud Mary Lodi

Inspired by Bettie Page and Tempest Storm's Teaserama. With dancers from the LA City Municipal Dance Squad.

Hugh Laurie marks the climax of his personal musical odyssey with a tribute to Professor Longhair, the man who is his greatest inspiration. Joined by the legendary Copper Bottom Band on the same stage where Longhair delivered his master class in 1975, Laurie puts on a once-in-a-lifetime, unforgettable performance.

Jessi Campbell has recently been seen on Last Comic Standing. She was the 2015 Campus Activities Magazine Female Performer of the Year, an award she was also nominated for in 2013. Jessi’s comedy CD “Winner Winner” has been featured on iTunes and can be heard on Sirius/XM Radio, Pandora Radio, and terrestrial radio stations across country. Jessi has performed at Gilda’s LaughFest, The Boston Comedy Festival, The Great American Comedy Festival, San Francisco SketchFest, and was the People’s Choice winner at the 2009 Aspen Rooftop Comedy Festival.

You’ll use a stability ball to enhance the effectiveness of each 10-minute segment: upper body, lower body, abs, total body and stretch. The ball becomes a fluid and natural part of every movement — boosting resistance, increasing range of motion or adding a balance element. Each non-stop segment includes a wide range of body-part-specific exercises (i.e. the abs section is totally abs-focused). Lara Hudson’s one-on-one teaching features smooth transitions and a quiet intensity. Note: The DVD is completely customizeable — you can program it to play the sections in any order. Requires a stability ball. ©2008

Bald Headed Blues: A Doctormentary on Sarcofiguy tells the hysterical true-life story of reluctant local television pioneer and artist John Dimes and his "charming̕"alter-ego "Dr. Sarcofiguy" as they navigated for more than 15 years the diverse D.I.Y. worlds of modern television horror hosting with cutting edge improv, humor and wit. Featuring interviews with television hosts past and present, including Dick Dyszel ("Count Gore De Vol"), Jerry Moore II ("Karlos Borloff"), Bob Hinton ("A. Ghastlee Ghoul"), Leanna Chamish ("Boo dePest"), and narrated by New England horror host "Penny Dreadful," Bald Headed Blues is un-apologetically self-indulegent as it picks up where the documentary Every Other Day is Halloween left off, telling the story of how one person inadvertently changed the face of horror hosting forever.

Filmed during the tour for 2004’s Uh Huh Her (and directed by longtime collaborator Mochnacz), Please Leave Quietly intermixes live footage with backstage antics, street scenes, buggered sound checks and impromptu commentary from tour personnel and bandmates. Often interspliced and edited to a near distracting degree, the live performances are riveting, with Polly Jean displaying a venomous allure in her Oz-red high heels and short-skirted dresses.

The first concert/movie recording from the "Bürgersaal" Northeim - wall to wall next to the Stockfisch studio. On May 18, 2016, Allan Taylor performed in the "Bürgersaal" for the first time, the concert was quickly sold out and some of the guests were partly from far away - they came from Schleswig-Holstein, Berlin, Braunschweig, Frankfurt and even from Hungary and the Netherlands. A wonderful evening with the great songs of this artist, who has been traveling around the world for over half a century with his guitar, his stories and songs. The man, whose voice is so incomparably warm and deep, whose guitar playing is so puristic, yet so full and expressive, and whose wonderfully simple lyrics base always on deep thoughts and a touch of melancholy.

‘The Noise Next Door – Boys On Tour’ is the second DVD from the UK’s most exhilarating comedy act. Filmed in Canterbury’s prestigious Gulbenkian Theatre as part of the 2013 ‘Boys On Tour’ national tour. A totally fresh show with brand new games, incredible new songs and some very special extras.

Life on the 101 Ranch, Bliss Oklahoma

Taking the idea of loss and dispossession as a starting point, this film is a reflection on photography and its people. It looks at the position of the individual within the context of war and displacement, as well as how photographs have become the sole record of that displacement, at the risk of them being dispersed as well. The film takes us on a journey from the point of view of a reproduction stand and a white backlit frame on which stories of war and loss unfold, from photographer Van Leo talking about the Armenian genocide of 1915 to the funeral of the assassinated Lebanese political leader Maarouf Saad filmed with a Super 8 camera in Saida in 1975. Between them, accounts of displacement and struggle of Palestinians are told through the photographs of Astra Abu Jamra, Samiyyeh Khairi and Abdel Salam Ujayli.

A look behind the scenes of Razorback (1984).