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When new students can't get onto their college cheerleading team, they form their own squad and prepare for a cheer off.
Up close and personal with Take That - Gary, Howard and Mark open up about life on tour. The band talk openly about the previous twelve months, their loyal fans and what it takes to put on a world-class show. With songs and performances from their first album, their latest album and everything in between, this tells the story of Take That - their music, their evolution, and their consistently mesmerising tour
The looped film is comprised of two parts: the first of scratched, warped and overlapping footage documenting the industrial farming of hormonal, reproductive and carnal animal commodities including urine, semen, meat, skins and fur. Rather than reducing the struggles of animals to a human-centric view, Staff questions the norms, subjectivity and standards by which all ‘others’ are read, measured and controlled and asks what lives are deemed visible in institutional spaces. The video’s second half comprises a poem describing life on Venus, an alternative state of non-life or near-death, a queer state of being that is volatile and in constant metamorphosis, infused with the violence of pressure and heat, destructive winds and the disorientating lapse of day into night.
Jeff Clayton, who has already won $5,000 at poker when the game’s big loser returns, asking for one last hand. This time, the stranger will wager his portion of a ranch. He loses, tries to gun down Clayton in despair, and loses again, winding up dead on the floor of the saloon.
Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.
Taiga tale about a tiger cub who warmed the seed of sunflower.
A UFO enthusiast interviews Dan Aykroyd on the subject of extraterrestrials visiting Earth.
Examines the link between oil interests and current U.S. military interventions. It includes original footage shot over a four-month period in Iraq, Pakistan and Afghanistan as well as many interviews with a large array of personalities including Bush administration officials.
After committing a robbery, a man is inspired to confess by a lovely native girl he meets on a small island.
On a day in early summer, two young men play squash, a lifeguard watches an indoor pool, a young woman shelves books at a store, another stages a puppet show for children in a park, an older woman cooks, and Manon gets on her bicycle to ride to a rendezvous with her boyfriend. She turns a corner. Something happens. As she lies on the asphalt, a crowd gathers around her and an ambulance arrives; we hear her voice, first confused as to what has happened, then telling us how her friends and her mother will receive word, and how her friends will gather to talk. As images move back and forth in time, she remembers recent events and expresses some small regrets.
Absalom and Gigla had a fight with Beso and after a long run through the mountains they tried to get away from him in an old Zaporozhets. But Beso didn't let them leave: he lifted the light car by the rear bumper and held it suspended for more than a day.
To celebrate her 30th anniversary, Paula invites small Ignacio, a neighbor who lives two floors below.
Kyle and Sam go through different stages of their lives as they hold onto the one constant thing in their lives, their friendship.
With this film, the director parallels and interweaves two gay love stories in a pretty diaspora and literary way.
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.
A bounty hunter named Arizona helps a group of beleaguered farmers in their fight against a large landowner named Austin Styles and his gang of outlaws.
A piano virtuoso has a child out of wedlock; the father, her fiancé, is killed trying to save her life. Their son is brought up by foster parents and becomes a musician.