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A history of rural southeastern traditional American music, as told and played by Mike Seeger and Alice Gerrard. Mike and Alice recount their own involvement with this music, and briefly trace its history as we meet their mentors: the late Tommy Jarrell, Lily May Ledford, Roscoe Holcomb, Elizabeth Cotton and many other musicians. Filmed in 1978 and 1979 in the states of Kentucky, Maryland, North Carolina, Washington and California, the film follows Mike and Alice home, and to folk music festivals where a new generation of musicians are picking up and passing on American traditional music. The filmmaker grew up with this rich and beautiful music and wanted to share it with younger generations who might not be aware of it and its role in American cultural history.
A student documentary from Westwood Regional High School. The arts of my hometown confectionery through generational relationships.
Sitting in a tavern, after having had lunch with an old friend, a man remembers anecdotes about his childhood spent in a popular Lisbon neighbourhood.
Adapted from a short story by Augusta Faro, the movie accompanies two young girls who become obsessed with the never-present husband of the new seamstress in town.
Notes on HTMHT: The tool transforms (energy, matter), allowing operation and reconstruction of "manner," rebuilding ecologies. An institutionalized tool (up to technotheism and beyond), its form delegated to a geometric code, imbued with a specific utility / specific form. Political geometry. HTMHT escapes the code, invades the tool (secretly, it's a forbidden video, it's a whisper). Tool / language (up to hyperlanguage and beyond, through the face) or Tool / weapons for post-digital subversion (incels, school shooters, children of the net / power to the people / hacking (invasion, infiltration (we meet in the landscape "The Dark Forest", axis of collapse, nothing is heard, nothing is seen))).
Hoping to entice friends to visit her in Singapore, a rich housewife pens a sparkling letter detailing a day in her life. Against her modest narration, scenes gloriously reveal vain pretenses and tragic ugly truths. Homemaker throws a satirical yet loveable lens on Singapore vanity
