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In 2010 Marãiwatsede received the sad title of the most devastated area in the Amazon. The film tells the story of the Xavante people who had their land taken by the military in the beginning of the dictatorship, to create the Suiá Missu farm, considered the largest landowning in the world in the 1970s. The Indians are back and want to recover their territory. .
A common man, sitting in his regular cafe, smoking and observing. The man weaves his own smoke curtain while a television sheds images. The city comes and goes through the cafe's window. For a moment glass and skin cease to be a frontier and life blends. A mechanism of connexions between man and city is set loose, composing a new architecture of observations, memories and wishes. In this web of imponderable circuits a possibility of disruption unleashes. From which only a brief trace will remain.
Recreating scenes from the classic A Man with a Camera (1929, Dir. Dziga Vertov/USSR), A Man with a Cell Phone studies the possibilities of filmmaking and image manipulation in the era of social networks.
The Green Man is a Brazilian film, The release will be in the year 2022, The Creator is the Brazilian actor, director and screenwriter Pietro Nabhan.
A Homemade Filmmaker aims to engage with the obstacles of a North East film graduate entering the film industry. We wanted to tell a story that is best told through the language of cinema. Taking inspiration from documentaries like Shirkers, Stories We Tell and Cameraperson; This short documentary follows a young and hopeful director from Northern England, as he attempts to balance his difficult living situation with his hopes of getting his work recognised.
Paulo ‘Galo’ Lima gained the media spotlight in 2020 as a leader of the first anti-fascist delivery man movement in Brasil. In 2021, he was arrested after the action that set fire to Borba Gato’ statue in São Paulo, which has agitated protests as a symbol of colonialism and racism. Discover the true story of Galo.
After being run over on purpose, a man ends up in Limbo, where he is forced to die several times in a loop. After trying to escape, he is arrested by the local Beings.
A poor woman is visited by the fairy godmother who turns her into a brilliant movie and TV star.
The second play, O Homem I, is about the vigorous embrace of the winner, the Celtic European Colonizer, copulating with the defeated, with the slaves from the ships, forming the "Typeless-Brazilian" type. Mixtures of all kinds find their space in the stage in the surprising miscegenation already present in the cast and crew of Teatro Oficina itself. It is the story of the Brazilian Man, the Man of the Country abroad interbreeding with the Country inside, until the Revolt against the very idea—imposed and imported—of man, with the appearance of Zarathustra Antônio Conselheiro.
The vertigos in the urban landscape take the Bird-Man back to his origins, in a metaphor about life cycles. "Bird-Man" is a film from the poetic nature of Brazilian singer, Ney Matogrosso. During the 1970s dictatorship, he broke sexual taboos with a "strange" behavior on stage and became one of the most famous brazilian singers. Inspired in Cassiano Ricardo's concrete poems and the experimental music of Ney's repertoire, "Bird-Man" explores a sound and visual lyrical aesthetic of high contrasts that approximates man to nature's feelings.
The story of Eurico Bernardes Catatau, the precursor of Portuguese zombie films.
Orphaned young man turns into a werewolf on full moon nights, causing panic in a small country town.
As head of the Organization for the Prohibition of Chemical Weapons, Brazilian diplomat José Bustani became an obstacle in America’s march to war with Iraq. Ousted from his position, he now revisits the chilling events that marked a turning point in global power structures.