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Pieces of memories restitute what remains from a lost love.
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
The announcement of the future marriage of Franck Reno, the star singer, causes considerable excitement around the world.
Mbissine Thérèse Diop played the starring role in Ousmane Sembène’s landmark first feature, 1966’s Black Girl (La Noire de…). Today, she looks back on her experience as a Black actress in the 1960s.
Experimental, Super 8
"Hommage to a climate activist imprisoned by the Order"(Collectif Jeune Cinéma). This film is one in a series of 30 about our collective "state of our emergency". Here we follow an unseen narrator as he walks around and rants about his anxieties over the world's state of affairs.
The Kurdish rebels films their own everyday life on the border of Iraq and Turkey. An almost organic camera records the sensations. The war images in Kurdistan confront with the images of Kurdish refugees in the streets of Paris, questioning various strategies of construction of a community identity, tinged with idealism and with romanticism in the heart of the political and social violence.
Landless Mexican peasants invent a new shape of fight by using their body as place of political and social resistance. Since the government does not want to recognize their existence, they will demonstrate completely naked in the streets of Mexico City, twice a day, until they are proved right.
Two teen boys living in an isolated house in the mountains contemplate their existence while maintaining a video diary of their daily lives.
Directed by Johanna Vaude.
In this film a car engine is animated with the pulse and passion of wheeled competition and of love. In French with English titles at head.
A film directed by Vincent Paquette.
Extensive investigation about the different "poisons" the food industry leaves or puts in our food, as well as the passivity of the US Food and Drug Administration (FDA) and the European Food Safety Authority (EFSA).
