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Nilufar, a girl living downtown, is about to marry a man living uptown. But one day, soldiers come and plant barbed wire to separate the two towns. The life of the people, who have thus far enjoyed peace, now falls into severe chaos. Students must take classes with barbed wire in the middle of the classroom, and it becomes difficult to go to the hospital. However, the biggest problem is Nilufar's wedding. Kirill, the chief of the climate observatory, tries his best to help her wedding, but then a terrible tragedy occurs.
A female got viciously raped and killed. Aya, the publisher of a popular journal, and the professional photographer Kajii hurry to the location of the murder to make some photos for the news. The picture is awful as the murderer had cut the genitals out of his woman’s body. Aya get a tip from a photograph published in the journal, that was used by the fifteen years old person. Kajii prospects Shun to be the killer and starts following him with the help of his girlfriend. A couple of days later the maniac hits again. A new victim is Makiko, with whom Aya had lesbian sex and relationship. Their investigation for finding the killer leads them to a playground in which the first slay has had place. But who may be this High Noon Slasher and why is killing innocent girls.
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers.
The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
A silent short about a moment in the day.
The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.
A group of school students sets up a rebellion that threatens to kill their teacher.
A poetic film about theatre being played to workers of a factory during their lunchbreak.
Tadao decides to comes back from Tokyo to live in his home town, in the countryside. He stays at his parents place and finds a job, repairing transistor and television. He catches up with his friend Tetsuji, the only that haven’t left yet. But one night, Tetsuji decides to leave for Tokyo with a bar hostess.
Baltimore's top hostage negotiator embarks on a relationship with a man who could be her soulmate while racing to resolve a case that threatens her job and her life
A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.