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A Yakuza member seeking to lead a new life in Manila. A morbid turn of events brings Haruo (Jacky Woo) to the squalor of Manila. A prized asset of the feared Yakuza in Tokyo, Haruo, aka Tadano Hayashi, escapes the criminal syndicate with bountiful cash, a helpless Filipina bar girl (Nina Kodaka) – and tragic consequences. Now solitary, he has uprooted himself to the railside slums of the metropolis, wistfully fending for himself. Still hiding from his past, he rents out a small room, seemingly lost in the clutter of wandering souls desperate for survival. There, he spends his days anonymously roaming the congested streets selling food, and even giving them away for the hungry. But he mostly keeps to himself, even to the inquisitive Edna (Rosanna Roces), an aging bar girl with whom he occasionally shares his bed.
Humans' biggest delusion is their illusion of freedom. Newborns have no choice, they are brought into this world regardless of their will, groomed as utterly powerless beings to submit to the social norms imposed by those in the position of power - But what if there is an alternative?
He knows better how much you need - 0.5 or 0.7. No one needs him, though his phone rings off the hook. He is running out of time, but he can't stop. He is the pure one.
The story about one teacher of the Greek language in the gymnasium - Byelikov. He was so distrustful that he turned his whole life into a "case existence".
This film shows the images of a dancing woman who is wearing Kimono overlapping another image which a naked man is dancing. This is one of the original psychological concepts of C.G. Jung. For women, Animus is an image of a man by projection of her mental energy.
Sebas, a former police officer, searches for his missing companion, an intriguing new neighbor moves in next to Vicente de León, a peculiar comic artist. At first he seems like a funny and harmless guy, but as the days go by, more and more unexplained events occur that will take Vicente to the limit.
A man tries to keep a bird by his side.
From an old self-help tape the spineless Lars follows guidance, which brings him to kidnap his estranged father.
Slightly absurdist story about a busy working mother who is left to herself when her husband forgets about their family outing. Stressed, she arrives at the fun fair with her children, where she is annoyed to find herself surrounded by all sorts of beaming families. A feeling of loneliness besets her. In her search for warmth and security, she not dispenses with her husband, but also her common sense.
A maternity ward nurse meets and falls in love with an obiturary columnist. Despite their apparent happiness, the nurse begins to feel that something is terribly wrong with their relationship.
The middle of the 1970s. A photographer encounters an emaciated and brooding man with a hawk-like face. The man is called Viktor Atemian and this film is his story. He's a man who tries his hand at writing, meets with success, then falls upon hard times and ends up in the street.
With the birth of New China, a husband-and-wife pair of Overseas Chinese painters resolve to return to the embrace of their motherland, and their child is born under the five-starred red flag. But these Overseas Chinese patriots are persecuted in various political campaigns and their daughter subject to discrimination from childhood. The male lead freezes to death as a fugitive and draws a giant question mark in the snow before dying. The daughter emigrates following the Cultural Revolution; when her relatives try to stop her, she says: "You love the motherland, but does the motherland love you?" Based on a script by Bai Hua, SUN AND MAN was completed in 1981 but permanently shelved following high-level criticism and a public campaign against its "anti-Party" character. The film is said to survive in the studio archive but has never been publicly screened. A Taiwanese adaptation of the script (with some modifications) was released in 1982 under the English title PORTRAIT OF A FANATIC.
A documentary about director Torgny Anderberg who made films about and who fought for the rights of the indigenous people of Peru. It shows Torgny complete his last journey to the jungle to meet with the Ashaninka people. Torgny died shortly after; his colleague Helgi Felixson helped finishing the film.
This film was inspired by a discarded film fragment I found in a dustbin, a relic from a time before the advent of computer-programmed TV. In 1978, Nobel Science Prize winners Pjotr Kapitsa, Arno Penzias, Hamilton O. Smith, Peter D. Mitchell and Werner Arber were filmed in a Stockholm TV studio talking with Bengt Feldreich about fossil fuels, nuclear reactors, genetics, the nature of time and symmetry. My version is a flicker film comprised solely of the Finnish subtitles that were played during the original broadcast. The film runs in a rapid loop, emulating the effect of a Tibetan prayer wheel.
The always easy-going, sensitive and responsive hero of the film turns out to be the very person whose meeting with whom changes the fate of people for the better.
In Bhutan, 11-year-old Yangchen’s father is the country’s glacier specialist, and thus the only person authorized to climb the mountains, which are considered to be sacred. He spends months away from home measuring the rapidly melting glaciers. While hiking through the snow to the farthest reaches of the Bhutanese Himalayas, he faithfully shoots videos for his daughter with his phone. These videos take the viewer into breathtaking landscapes, but it also becomes increasingly apparent that something irreversible is happening.
Formerly a troubled youth, a monk is given charge of a Buddhist temple that is neglected by superstitious villagers who are under the spell of a fake psychic.