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On a road near a secluded riverside, a woman walks with her baby. A psychotic street ripper follows them, evil on his mind. Who will save the family? It’s… Crap-Man!
A boy who is forced to eat a spider while being bullied by his friends in childhood has super powers and becomes a hero "gummy-man."
A short animated film by Furukawa Taku.
“Man-Horse” is a film about an old farmer, Jonas, and his horse. It is an intimate story about the existential relationship between human and animal; it is about solitude and the daily effort to survive. The film's director and Jonas Šalomskas are neighbours in the village of Užuguostis. They have known each other for two decades.
Adaptation of Edogawa Ranpo's novel.
"The Trolleybus-Man" is an absurd superhero comedy about a mechanic turned superhero who's fighting to preserve thing he loves the most - the trolleybuses. Vilnius Trolleybus Park is sold to a young investor, who wants to change trolleybuses to more convenient high-tech, wireless, pilotless vehicles. Needless to say, that this high-tech wonder will require very little maintenance, so the drivers and supporting staff will be fired. But it is way more than that. Without the old trolleybuses the city is never going to be the same.
Animation movie about a masked mouse hero, created by Leo Ortolani and directed by Mario Montigiani.
The vertigos in the urban landscape take the Bird-Man back to his origins, in a metaphor about life cycles. "Bird-Man" is a film from the poetic nature of Brazilian singer, Ney Matogrosso. During the 1970s dictatorship, he broke sexual taboos with a "strange" behavior on stage and became one of the most famous brazilian singers. Inspired in Cassiano Ricardo's concrete poems and the experimental music of Ney's repertoire, "Bird-Man" explores a sound and visual lyrical aesthetic of high contrasts that approximates man to nature's feelings.
In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately nuanced narrative interweaving personal memories, historical dilemmas, and political defeats.
A men is hired to find a stolen cache of $1,000,000 in gold coins while all the while he seems protected by a ghost.
L'homme de ma vie stars Madeleine Robinson as Madeleine, who after being abandoned by her lover is forced to raise her baby all by herself. Supporting herself and her child as a prostitute, Madeleine manages to give her daughter an expensive girl's-school education, all the while keeping her own identity and profession a secret. The girl grows up to be an insufferable snob; nonetheless, Madeleine attempts to re-establish a relationship. Things take a sorry turn when the daughter takes drastic actions to defend her mother's honor.
This is a survival story - a Hemingway's 'Old Man and the Sea' as if written for our days.
Takashi Morishita, a temporary worker at an automobile factory, lives a happy life with his wife, Akiko, and their daughter, Sakura. However, COVID-19 causes an unprecedented economic crisis in Japan. Takashi loses his job. Unable to find new employment, he is forced to move out of his company housing, and his wife finally asks him for a divorce. Having lost his house, his job, and his family, Takashi has no choice but to take up residence in a rental storage room.
Jerry Ross Barrish sees the beauty in—and creates the unexpected out of—discarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Art’s prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farley’s engaging documentary goes to show. Seeing the playfulness of his pieces, you’ll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society
The clerk of a trading company happens to have a large sum of money from his company in his possession. His girlfriend pressures him into fleeing with the money...
The way bureaucracy works is told by men in the frames.
Detective Rock must battle the son of his old nemesis Pumpkinman.
