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Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.
Tanzania's first feature-length film.
Ryuji Oshima, a gambler, kills Saiga in self-defense, and considering himself unfit to lead men, secludes himself in a temple to atone for his misdeeds. At home, when his mother, the boss of a construction gang, bids for and gets the job of building the Town Hall, other gangs set out to disrupt her business and try to kill her.
Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.
Hosted by Orson Welles, this documentary utilizes a grab bag of dramatized scenes, stock footage, TV news clips and interviews to ask: Did 16th century French astrologer and physician Nostradamus actually predict such events as the fall of King Louis XVI, the rise of Napoleon, the assassination of President John F. Kennedy? And are there prophecies that have yet to come true?
In October 1952 the British government declared a State of Emergency in Kenya. Its object: the defeat of "Mau Mau." In the war that followed, fewer than 40 of Kenya's 40,000 white settlers were killed while more than 15,000 Africans lost their lives, and hundreds of thousands more were arrested and subjected to a humiliating and often brutal process of "rehabilitation." But what was Mau Mau? A movement based, according to the British Colonial Secretary, on a "perverted nationalism and a sort of nostalgia for barbarism"? Or the Land Freedom Army, an organized political and military response to repression and armed aggression? Using newsreel and previously inaccessible archive footage, and drawing on interviews with participants on both sides, Mau Mau examines the myth and the reality of Africa's first modern guerrilla war.
In front of Sagami Detention Center. Shosuke, the owner of a strip joint called "Shunpu Music," welcomes Okoma, a stripper who has been locked up for public indecency. Shosuke immediately takes the paroled Okoma to the police station to greet her, and meets a young new detective, Matsuta Obara, who has just been transferred. But the two don't get along from the moment they meet...
The interplanetary spacecraft Galileo II carries Atom and his friends to Titan, a satellite of Saturn. However, what awaits them when they arrive there is an attack from an unknown entity. What appears is a mechanical life form called "Igza" that wants to destroy humans. The battle between Atom and Igza unfolds in the far reaches of space.
Dayton Hyde’s destiny leads him on a dramatic journey through the West, from rodeos, conservation battles, and wild horse rescues to award-winning books, personal heartbreak and new-found love.
A small provincial town surrounded by mountains and fields in northeastern Japan. Here a group of eight policemen solve a series of unusual cases, ranging from extortion, to drunken fathers, to corruption and even the persecution of a man who claims to be an alien. This entertaining film shows these cops with a human heart with humor.
A series of grisly murders with strange claw marks lead Mito Komon into discovering a deadly plan that involves a strange gorilla creature.
Paris, May 1931. Black culture is in vogue at the same time that a great colonial exhibition displays the peoples of the world subjugated by the French Empire. It is then that a group of researchers travels to Africa and undertakes an ambitious ethnographic mission. On their way from Dakar to Djibouti, they collect a large number of objects destined for the Musée de l'Homme. Is it a well-intended adventure or a great plunder?
A mad doctor performs a head transplant on an injured criminal, which results in him being even more dangerous and murderous than before.
Adaptation of Mito Kōmon.