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My body melts into the surrounding universe and abstracts without being able to hold its shape.
Vincent, seventeen, spends his summer holidays alone. To earn a little money, he helps his dad, a locksmith. One day, Vincent breaks into an empty house to steal.
A claymation about an unsuspecting man whose fondness for baby pork is tantalised when he passes a restaurant that specialises in pig dishes. He is charmed and impressed by the service and ambience of the restaurant as he places his order with the waiter. The gruesome truth of the restaurant is soon revealed to the man when his dish arrives.
Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.
In Marseilles, in a house of correction reserved for teenagers, it is the young Patricia who, by its authority and its force, imposed herself on all her classmates.
Roderick Usher is the last surviving male member of his family, living as a recluse in the ancestral home with his twin sister, Madeline. She is slowly dying of a disease for which her doctor seems unable or unwilling to find a cause or a cure. Roderick begs an old friend to visit. Shortly after the friend’s arrival, Madeline is found dead and is buried in a vault beneath the house. In an attempt to calm the increasingly distracted Roderick, his friend reads to him a medieval romance. As the climax of the tale is reached, the figure of Madeline appears—she has been buried alive and has clawed her way out of the vault to find her brother. Roderick is overcome by horror and as he and Madeline both confront death, the House of Usher collapses around them
When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.
A reclusive man living in the forest meets a stranger in a way that is as natural as it is improbable and takes the risk of coming back to life.
In a large building full of sounds, people are waiting for a new melody that will change their lives. No one has realised that it has already begun to play.
