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An overview of the evolution of torture techniques used by the United States since the Second World War.
Rory Gallagher - voc, g Gerry McAvoy - b Ted McKenna - dr
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This controversial film about the Daily Hindustan thinly disguised as the fictional Daily Mail, edited a character constructed as a composite portrait of Hindustan's owner Lotwala and editor Indulal Yagnik. It also lampooned the patron of the Ranjit Studio, Jamsaheb of Jamnagar, and his studio boss Chandulal Shah in a plot designed as a scabrous expose of the film industry's ethics.
Laeti is a twelve-year-old. Not a little girl any longer. Her body is changing and she is beginning to look at the bodies of others with different eyes. She loves touching with bare hands. And being touched.
A young noblewoman regrets having to marry the village ironmaster for money reasons, but later comes to appreciate her new husband.
Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.
A business deal goes wrong.
Trecartin describes (Tommy-Chat Just E-mailed Me.) as a "narrative video short that takes place inside and outside of an e-mail." Trecartin's intense visualization of electronic communication is inhabited by a cast of stylized characters: Pam, a lesbian librarian with a screaming baby in an ultra-modern hotel room; Tammy and Beth, who live in an apartment filled with installation art; and Tommy, who is seen in a secluded lake house in the woods. Pam, Tommy and Tammy are all played by Trecartin, who, wearing his signature make-up, jumps back and forth between male and female roles. Totally self-absorbed and equipped with vestigial attention spans, the characters are constantly communicating with one another on the phone or online.
The film reflects a transformation which results in its destruction.
EAT: Mainstreet Dinner for the Homeless is a roving view of the homeless occupying the public sidewalks surrounding the vacant Woodward’s Building in Vancouver's Downtown Eastside. The tent city becomes both an eyesore and rallying point for the plight of the homeless and disenfranchised in Vancouver’s booming real estate market. Inter-cut with poverty is a chef preparing a gourmet meal and images of the houseboy cleaning. Originally created for the EAT issue #5 of www.horizonzero.ca. -- a virtual dinner party.
In the middle of the long road of EDSA, a pair of siblings venture into poverty, hunger and the crooked system that binds their fate.
