Streaming Lulla

Tragedy strikes when Olivia and Harry Davis’ newborn baby doesn’t survive the birth. 6 months later the young couple have come to terms with their loss and are rebuilding their lives, they may even be ready to try again for a family soon. But when Olivia meets glamourous Brooke Marsden and her baby girl, she is overwhelmed by a feeling of love and longing. She quickly becomes obsessed with Brooke and her baby, which worries Harry. Is Olivia going crazy’ Or is a mother’s instinct always right’ Katie Leclerc and Jeff Schine star.

Middle-class housewife Ae-soon is excessively vain and neglectful of her duties as a homemaker. Unable to tolerate her any longer, Ae-soon’s husband kicks her out, and she leaves him and their daughter Jeong-hee to take up with her lover in a hotel.

Bungo, fulfilling his duty as a yakuza, kills a man from a rival gang. Since then, he has escaped the clan's vengeance by staying on the road with his son Kenichi. Tired of running, the two settle in a mountain town. Bungo finds work as a lumberjack for the Iwasaki family and Kenichi becomes a student at the local elementary school. Regrettably, their good fortune doesn't last. The yakuza boss, Tomitaka, wants control of the town's lumber and is willing to destroy the Iwasaki to get it. Natsue, Kenichi's estranged no-good mother, returns wanting to take part in the boy's upbringing. And shortly thereafter, a mysterious stranger arrives in town to lay claim on Bungo's life...

Bungo is released from prison to find his son Kenichi in the care of strangers. Teruko, the woman originally looking after the boy, was forced to leave town and sell herself into prostitution. Bungo and Kenichi, in their search for Teruko, arrive in a new place and find work running a peddling stall for the upright Tatsumaki family. However, the drifting father and son soon find themselves caught up in a struggle for territory. Boss Negishi, the head of the yakuza family responsible for the death of the former Tatsumaki leader, will stop at nothing to take over the marketplace. Sickened by the injustice, Bungo takes on the rival boss knowing it might cost him his newly acquired freedom..

Bungo becomes a single parent when his wife leaves him because of his drinking and gambling. Deciding to quit his vices, he works menial jobs, drifting from city to city. However, not completely losing his gambling tastes, he became a hunted man and must escape to Tokyo after he was found cheating at dice. Bungo and his son Kenichi comes upon the Kizaki Family in Asakusa, where more troubles are awaiting them...

After his first attempt to obtain cash fails, a Broadway producer turns to a gambler to raise money for his show.

After filling her life with addictions, Christina (Susan Dey) is left with a dead-end job, a deadbeat boyfriend and a bad rapport with her mother (Piper Laurie). The last thing she needs is a baby, a sentiment the authorities agree with when the infant is born with a drug dependency. Now, Christina's future is in the hands of a dedicated social worker (Lorraine Toussaint), whose own instincts as a mother have her fighting for the child's rights.

Medea is alone, she has killed her sons, and she is thinking about her relationship with the errant Jason.

Jing’s day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works. Her baby daughter Qing is difficult and cries constantly and Jing frequently clashes with her live-in in-laws over childcare and housework, while her husband, who works as a delivery driver, views parenting as something he occasionally helps with. All she did was have a child, yet Jing’s life is turned upside down, leaving her in a situation where all her efforts to build her career have been negated. Director Oliver Siu Kuen Chan meticulously dissects Jing’s struggles, revealing the emotional turbulence she endures. The film’s realistic and precise narrative depicts the suffocating oppression women suffer within both family and society, the pressures of ‘being a mother’ and ‘motherhood,’ and resolutely move forward, forcing Jing to make a final decision.