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- The Board of DSK - The complaints of the grandmother mustache - The Tiberi make us cry - Edward loose - Right Park - Lionel Jospin Love
Nana has just been left by Mathieu. She goes looking for another man on social media and dating sites, hoping to find the worst. Nana's thwarted desires and loves come and go to the rhythm of clicks as to the rhythm of the tides.
No-No has had it up to his bill with his mundane existence in Underwood Springs. After sounding out his friends, he decides do go off in search of adventure with his tiny companion Magaïver the crab.
Il revient enfin sur scène avec un one man show intitulé : « Bienvenue chez les Corses et bonne chance ! »… Vous l’aurez compris, l’île de beauté est le thème principal de ce spectacle. Un voyage au cœur de la Corse que Pido nous propose avec son style inimitable. Que ce soit à travers des personnages que l’on connait déjà, ou à travers des « nouveaux venus », plus fous les uns que les autres, voici un spectacle qui raconte la Corse et les Corses et qui s’adresse à tout le monde.
60 minute documentary on the background of the 2003 production of Les Boréades at the Opéra national de Paris, including interviews with Robert Carsen, William Christie, Barbara Bonney, Paul Agnew and Laurent Naouri and other members of the cast.
In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.
Several years after "Mood Indigo," his adaptation of Boris Vian's 1947 novel "Froth on a Daydream," Michel Gondry returns, with his characteristic originality and uniqueness, to further explore his overwhelming experience with Vian's work. Gondry narrates this short autobiographical animation as an homage to his beloved novelist and trumpeter.
Elle (Isabelle Gélinas) wants to make a film about African wildlife. Adrien (Eric Métayer) is obsessed with the idea of making love to Elle in a very peculiar and theatrical imaginary bedroom. Perhaps following a principle of sympathetic magic, he arranges for a crew of eccentric friends to help create the bedroom of his dreams. If one part of his dream comes true, perhaps the other one will.