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In the form of an investigation, this documentary, filmed in Morocco and France, goes to the other side of the mirror of the beautiful photos of the kingdom, to reveal the gray areas of King Mohammed VI.
The film is the first of a series of films containing the character of "Bouboule", created by the singer Milton and comprising La Bande à Bouboule (1931), directed by Léon Mathot, Le Roi du cirage (1931), directed by Pierre Colombier, Bouboule Ier, roi des Nègres (1933), directed by Léon Mathot, and Prince Bouboule, directed by Jacques Houssin (1939).
A young man races to save his son's life, but death – incarnated in the child's imagination as the titular Erl King – calls unceasingly.
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)
Dieudonné, poet and dreamer, is the opposite of his father, the famous D'Artagnan, as he hates walks and duels.
Documentary directed by Mweze Ngangura.
