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Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers. Preserved by the Academy Film Archive in 2010.
After losing his job, an idealistic adman starts his own agency, putting himself in the crosshairs of his jaded ex-boss.
This film dives into the world of Amazon, its story and view of the world. It offers a large social fresco backed up by an in-depth investigation where private lives meet the mega-machine.
The 1000 days of George W. Bush's presidency from the 9/11 attacks to the iraqi quagmire.
As they prepare to test products for a multinational corporation, a marketing company targets a typical guy as their guinea pig.
Serge Daney was successively critic and editor of Cahiers du Cinéma in the 60s and 70s, then critic at Libération before founding Trafic a few months before his death. Through the dialogue established between some filmmakers of today and the thought of Serge Daney on the most diverse subjects, the film is the reconstitution of the look of a moviegoer on the world and the confrontation with our time.
Angelo believes his father works with extraterrestrials on a top secret project.
Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. 'I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.' Tippi is the daughter of French filmmakers and wildlife photographers, Alain Degre and Sylvie Robert, who have captured her on film with some of Africa's most beautiful and dangerous animals. Tippi shares her thoughts and wisdom on Africa, its people and the animals she has come to know and love. Often her wisdom is beyond her years, and her innocence and obvious rapport with the animals is both fascinating and charming.
In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this, he fights against the material and the ball, embraces it, lies down on it, twists and tramples it. Illusory victory or vain efforts?