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A poetic stroll that doubles as a lilliputian ethnography and Lilliputian ethnography, filmed downstairs in the streets of Paris. It's a kind of Eux et moi in reverse, with the filmmaker directing his camera his camera to the people of his village, whom he observes through the deceptively candid eyes of a distant friend, unaware of the city and the crowd, to whom he addresses himself pretending to wonder about things that are so simple that they seem endowed with a secret life.
At the beginning of the twentieth century, two friends, one a homosexual and the other a writer, fall in love with a young divorced woman.
Documentary about the 2020/2021 Vendée Globe, a single-handed solo non-stop round the world sailing yacht race. An unpredictable finish, a memorable rescue, a diverse cast… Such as never seen before on a Vendée Globe!
A survey of the world, its structures, its icons, its pathologies, in the form of a fast and obsessional typology.
This documentary is a case study of the multinational tentacles of the world's biggest bank, how it started and what its power means to everyone.
French celebrities host a special concert in Disneyland Paris.
Louisiana, 2013. French is on the verge of extinction. Two filmmakers, David Simard and Christian Fleury, continue the investigation they began the previous year on its imminent death with "Everyone Wants to be a Cajun". Two intellectuals, who both hold the French fact in Louisiana dear to their hearts, face each other in a virtual dialogue to explain the situation. One would like to see the rise of a new united and modern francophone community, while the other represents the majority view of those children who are today fully Americanised. The social and political contradictions that have historically divided them - and that continue to divide them - reveal themselves in the space between their narratives. To complement the dialogue, members of the community, helplessly witnessing the demise of French, add a poetic touch to the film by providing us, with a hint of nostalgia, the last traces of the dialect their forbearers spoke.
In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and separately, in their respective media. This cinema/music performance recreates, impressionistically, the dehumanizing environment of the urban subway. Drawings etch the outlines of people hurtling through space in underground tunnels. The sound track, elemental and atonal, gives compelling expression to their alienation.
Located in Berwyn, a deprived Chicago suburb, the laundromat run by Tom Benson, reputed to be the largest in the world, is an institution for those residents on a tight budget: an immersion into this microcosm where, despite extreme poverty, everyone still believes in the so-called American dream and strives to fulfill it.
