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In a cul-de-sac in the Faubourg-Saint-Antoine, Leon shares two rooms with his sister Marie. In one, he receives his clients: he is a tailor. In the other, Marie receives her own: she is a clairvoyant. Leon was happy until he learned what Marie was hiding from him. She is actually a prostitute, and Maxime, her supposed fiancé, is her pimp. On the same day, Leon also discovers love in the form of Arlette, a provincial young woman picked up by Marie.
Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.
One day, a young Franco-Algerian discovered the songs of the famous Belgian singer Jacques Brel. This sudden passion changes his life forever. This film follows Abdel's dedication to performing the artist's songs, as well as his journey to reconnect with his Algerian roots, illustrating the human bond created through popular songs.
This French tale, set in the 17th century, chronicles the marriage between an errant knight and a beautiful spinster. The tale begins in 1629, and the knight is Nathan Le Cerf who joins the regiments of Count Anchire after he loses his entire family to the plague. Nathan's first assignment is to kill the gambling rival of the count in a duel; Nathan obeys, but gets wounded in the process. Still he makes it back to his master and is expecting a generous reward. Instead, the count reviles the knight, invokes Louis XIII's ban on dueling, and orders Nathan beheaded. Nathan will have none of that. Despite his bleeding abdominal wound, he escapes into the countryside. Initially he finds shelter with his lifelong friend, a chalk maker; he then goes on to one of his patrons, an artist. Nathan is relegated to living in a humble hut in the wilds. Eventually he meets an impoverished noblewoman, Marhte de Lairac.
A short film made for Venezia 70 – Future Reloaded (2013).
This mini-opera, animated in charcoal, reimagines Georges Bizet’s Carmen and its enduring relevance to issues of sexuality and conflict. In this new work, Carmen is stripped of her usual associations, including gender, race, place and time, leaving only a universal human figure and Bizet’s oiseau rebelle (rebel bird), two alter egos competing for love. This struggle leads to rebirth and a new future.
Tim is 23 years old. He stammers a lot. His friend is a charmer. For Tim, seducing a girl is an ordeal.
Video of the dying and death of the filmmaker’s father shot off a TV monitor with a bolex.
Old Hymen meets Sleeping Love. He takes advantage of his sleep to steal his quiver. Very proud of his larceny and relying on this possession to regain his vigorous youth, he calls his wife. She does not allow herself to be caught up in her speeches knowing what to expect.
A curious meditation on the pleasures and terrors of s/m, in which interviews with enthusiasts collide with choice porn clips, Fleisher cartoons, Hans Bellmer poupees and a couple of sphincter-tightening routines. The results are compelling, this film lingers, never once slipping into hype or deadly cool.’ – Manohla Dargis, Reel To Reel, Village Voice, 1992.
Lost love, lost artistic collaboration, the two are meeting for one night as she briefly visits the city where he still lives.
The arrival of an unruly young man in the football team of a small town in France is turning the life of the Mayor upside down. Some revelations about him may well cost him his re-election by a population averse to bribes and scandals.
Betrayed by his wife, a teacher proceeds to have an affair with a young and pretty student. The two women both find themselves expecting a child. The girl dies during childbirth. In a spirit of revenge and to keep his real son, the scorned husband exchanges the babies.
While he waits for his driving school instructor, Gaspard encounters Camille. They are eighteen years old. Gaspard is ironic and a braggart. Camille is altruistic and committed to causes. They don't hit it off. Ten years later, they share the same car. Camille is in the driver's seat.
A story of an erotic interlude between two women revealed through an unusual juxtaposition of imagery.