Streaming Lamour En Laisse En Francais

City girl Lili and country boy Luc struggle to keep their marriage afloat.

The illegitimate son of a music-hall star and an ambitious politician has grown up to become a journalist. He decides to get back at his father by using blackmail.

Madame Millois, an ambitious mother, thinks she has found the perfect match for her daughter Arlette, Count de Tremblay-Matour. Alas, the ideal husband happens to be a crook. On the night of the wedding, the fake nobleman robs his wife and abandons her. While the outraged Madame Millois looks for the real Count de Tremblay, Arlette seeks consolation with Maxime, a childhood friend. At last, the real count is found. Unsurprisingly, he is furious to learn that, legally, he is Arlette's husband. After a while though, he mellows and accepts to "remain" Arlette's husband.

In the late 19th Century, Mary Breydon, a widow, and Peggy Breydon, her daughter manage a stagecoach stop on The Cherokee Trail. The story is told from the perspective of Peggy, looking back on her adventures.

Max is an old and unsuccessful actor while Charlie is an ambitious young director, yet they are bound together by close friendship. Until the day Rose-Marie, a rather conservative young antique dealer, walks into Charlie's life. When Max's wife walks out on him, he clings to the young couple like ivy. However he soons becomes a dead weight and Rose-Marie threatens to leave if Charlie doesn't choose between her and Max.

Victor (Jean-Pierre Cassel) and Suzanne (Genevieve Cluny) are a couple at odds about commitment in this light, fast-paced comedy-drama by Philippe de Broca. Suzanne needs more reassurance from Victor about the future of their relationship. He is a painter with an inspired creative side who finds it difficult to understand Suzanne's point of view. They are happy together; what is the problem? So when a friend comes into the picture and proposes to Suzanne, Victor suddenly realizes that Suzanne was right. Without a formal commitment, the suddenly insecure man does not like the view from the opposite shore.

In a cul-de-sac in the Faubourg-Saint-Antoine, Leon shares two rooms with his sister Marie. In one, he receives his clients: he is a tailor. In the other, Marie receives her own: she is a clairvoyant. Leon was happy until he learned what Marie was hiding from him. She is actually a prostitute, and Maxime, her supposed fiancé, is her pimp. On the same day, Leon also discovers love in the form of Arlette, a provincial young woman picked up by Marie.

Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.

One day, a young Franco-Algerian discovered the songs of the famous Belgian singer Jacques Brel. This sudden passion changes his life forever. This film follows Abdel's dedication to performing the artist's songs, as well as his journey to reconnect with his Algerian roots, illustrating the human bond created through popular songs.

This French tale, set in the 17th century, chronicles the marriage between an errant knight and a beautiful spinster. The tale begins in 1629, and the knight is Nathan Le Cerf who joins the regiments of Count Anchire after he loses his entire family to the plague. Nathan's first assignment is to kill the gambling rival of the count in a duel; Nathan obeys, but gets wounded in the process. Still he makes it back to his master and is expecting a generous reward. Instead, the count reviles the knight, invokes Louis XIII's ban on dueling, and orders Nathan beheaded. Nathan will have none of that. Despite his bleeding abdominal wound, he escapes into the countryside. Initially he finds shelter with his lifelong friend, a chalk maker; he then goes on to one of his patrons, an artist. Nathan is relegated to living in a humble hut in the wilds. Eventually he meets an impoverished noblewoman, Marhte de Lairac.

A short film made for Venezia 70 – Future Reloaded (2013).

This mini-opera, animated in charcoal, reimagines Georges Bizet’s Carmen and its enduring relevance to issues of sexuality and conflict. In this new work, Carmen is stripped of her usual associations, including gender, race, place and time, leaving only a universal human figure and Bizet’s oiseau rebelle (rebel bird), two alter egos competing for love. This struggle leads to rebirth and a new future.

Tim is 23 years old. He stammers a lot. His friend is a charmer. For Tim, seducing a girl is an ordeal.

Video of the dying and death of the filmmaker’s father shot off a TV monitor with a bolex.

Old Hymen meets Sleeping Love. He takes advantage of his sleep to steal his quiver. Very proud of his larceny and relying on this possession to regain his vigorous youth, he calls his wife. She does not allow herself to be caught up in her speeches knowing what to expect.

A curious meditation on the pleasures and terrors of s/m, in which interviews with enthusiasts collide with choice porn clips, Fleisher cartoons, Hans Bellmer poupees and a couple of sphincter-tightening routines. The results are compelling, this film lingers, never once slipping into hype or deadly cool.’ – Manohla Dargis, Reel To Reel, Village Voice, 1992.