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This film tells the story of the economic war between the four main companies of the large retailers. This war symbolizes the transformation of the economy of the consumption over the last 50 years. It also questions the present and future stakes: how to imagine the 21th century's consumption style.
An American billionaire who travels incognito falls in love with a blind shepherdess whose twin sister will take the place on the wedding day.
Instead of fighting poverty, we fight the poor. Europe: its chic neighborhoods and its suburban high-rise hovels where ‘zero tolerance’ is increasingly the order of the day. A prison is built when a factory shuts down. The poor, in general, and young people from an immigrant background, in particular, are the focus of many fears. Passing to the other side of the mirror and breaking away from clichés, the film shows the humanity of these people, in the street, a prison, a courtroom or a city cellar, with their emotions, desires, fears and despair. Far from an image of European democracy where everyone has an equal chance, the film, calling to witness France and Belgium, offers a critical and moving glimpse of a society that is sometimes horrific and brutal, our own. “What a strange period! Just where are we heading? Have we lost our minds?
Hanoi 2003. A woman does her hair at night. A train passes between the houses. A crowd rushes by jostling, working. A forgotten child waits.
Sylvain is a farmer. His fields, in line with the glysophated trend, surround the small island of greenery where my old but valiant mother has lived for decades. Two visions of agriculture, landscape and the world unfold in reality and in music.
Silent film screened at Il Cinema Ritrovato 2020
The vacuum... or the story of a woman who no longer loves all that she loved before. However, people around her still love. She sees them loving, she hears them loving and that gives her a headache.
Jean Berthillot and his wife Anne-Marie settle in Guinea. He is a primary-school teacher, fully occupied with his job. Anne-Marie is bored and has the pain of seeing their baby die. Depressed, she tries to hold on to an engineer, Carlier, whom she met when she first arrived in the country. She won't leave with him, but the disagreement between the couple is growing. Convinced that he is leading the best life, Jean does nothing to keep his wife. It's up to the natives to reconcile them and help the young woman share her husband's ideal.
A clever little monkey remembers to keep his wits about him when the bigger monkeys encroach on his bounty of bananas.
A parody of feminist criticism on found footage covered by humoristic chisellings, signs or hasty figurative elements. Sometimes, chisellings are fine, and sometimes they are treated in large shots (razor tears, acid, cutting the film itself, wide spraying, thick stamps). A bedsheet is used as the final screen from which various women's evocations are represented.
