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In her approach as a close observer of certain creators in the Letterist Movement, which has revealed CREATION as the central value of a new philosophical system, and as a witness of the multiform creations of an important creator of this movement, and his efforts to help building a richer and happier world, in order to leave a trace upon the world of silence imposed on contemporary artists, the author has selected here lively, peaceful scenes showing a happy life. This is a chiseling letterist film, in which image during the accelerated montage, disynchronising image and sound, has been itself chiseled by drawing on the views, abstract, symbolic figures which reinforce its meaning.
This film is the portrait of a man who has had no luck in life. A man who never had a star, good or bad. This man was my father. What interested me, what motivated my desire to talk about him, is, paradoxically, because I did not know him. Because I know little about the adult man he was. And also because those close to him, his family and friends, only knew what he let them see. When he died one afternoon in August 1975, he was thirty-seven years old and he was starting to get better. He was starting to enjoy life again. That summer we were to spend together. We had to get to know each other. But chance, fate or providence decided otherwise. He was fishing at the edge of a pond. His line hit a high voltage line. His name was Michel. This film is his poetic tomb.
Luc ou la part des choses is an ambitious and effective film about the story of a young man who "discovers" and assumes his homosexuality.
In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.
A few aspects of Tahiti, whose inhabitants lead an easy, idle life.
In the 1950's, Jews coming from North Africa and the Middle East settled in the newly constituted State of Israël. The Mizrahim, as their are called, were denied their right to a better life and forced to move to development towns in the Negev Desert. Today, the new generations of Mizrahim still suffer from this policy conducted 70 years ago. Michale Boganim follows the footsteps of her father, who came from Morocco and quickly became a leader of the local Israeli Black Panthers to stand against this discrimination. She embarks on a road trip through Israël's history to meet with three generation of Mizrahims.
In the past, Nina was prosperous, with cassava piling up in her house up to the ceiling. But since the crisis, she's been reduced to selling a few vegetables that barely bring in any income. She doesn't even have the few pennies that would allow her to buy merchandise. However, Nina is not one to give up easily. She gathers her courage and embarks on the journey to reclaim her business.
In 1982, the Raiders and owner Al Davis captivated black and Latino fans with swagger and charisma that matched the rapidly changing city.
The Chagossians used to live in the Chagos Archipelago, under British rule, in the Indian Ocean. Between 1967 and 1973, the British government progressively evicted the islander population from their homelands to allow the United States to build a huge military base on Diego Garcia, the largest of the islands. The base was strategically important to the US and British involvement in Afghanistan and other Middle Eastern fields of military operation. No consultation took place with the Chagossian people, and they were given no choice. As the film powerfully documents, the islanders were forced to survive in shanty towns in Mauritius and the Seychelles and were given no prospect of ever returning to their home. Many of them survive today in inadequate housing and poor living conditions, unwelcomed by their host communities. They can only dream of their archipelago and share one obsession: to return home.
This is the romanticized story of Louise de Bettignies, who was a spy and heroin of the First World War. In October 1914, in Roubaix, Geneviève de Vandeville delivers mail in secret. Brilliant and effective, she is soon contacted by the Intelligence Service who asks her to lead a team of spies. Geneviève, who is responsible for delivering intelligence from dangerous regions, enlists the help of Maria, a young girl who becomes her friend. Maria and her lover ask Geneviève to plan their escape into Holland. This mission will prove fatal for Geneviève. She is detected by the German counterespionage, arrested, and imprisoned in Brussels. She becomes sick and dies in prison before the war ends. Some time later, Maria and her lover pay their respects to the monument in effigy of Louise de Bettignies.
Raphaël is an actor. For the first time, he has the lead role in a feature film. No one understands why he was chosen. In fact, no one really understands him.
In September 2004, the french government decided to privatize its historical jewel, France Télécom. The exchange rate became essential and its new CEO, Didier Lombard decided to push 22000 employees to resignation.
In the forest, the herd of deer turns against the hound dogs that have been chasing them so far. From this unusual chase, new landscapes arise from the ground. This collage drama was made after an idea from a 19th century engraving.
