Streaming La Ma

Marisol Bernal lives in harmony with her daughter, until the flower of her corn plant covers the view of the mountains to the neighbor, a high official of the city.

"Another 3D animation short of mine with music by Charles Camille Saint-Saëns, one of my favorite pieces, La Danza Macabra. I have reinterpreted it in my own way with Poser 7, Vue d'Esprit 7, After Effects CS4 and edited with Pinnacle Studio." - Salvador Sáinz

A story of a machine that won't identify itself and produces images that can make you sick and give you nausea. Swallowed by some of the authorities, media makers and cultural dealers, it reproduces its stereotypes and teaches it to generations of young eyes. But not everyone is equal in front of these images. Black French youth can't find any answer to their questions in them. By hiding their reflections in the big cultural mirror, this swallowed machine feeds our anger. Could it actually be working at its own destructio

A young vivacious Parisienne of African descent, dreams of becoming a fashionable hairdresser after graduation, but her aspirations clash with the traditional views of her family who forces her to marry a man she does not love. Fortunately, a friend comes to her aid.

A girl and her boyfriend have a conflict when a neighbor tries to seduce him.

A night-time party in a mountain village in France; a reflection on the essence of our existence and a monster that preys on girls.

7 films by Denis Gheerbrant. La République Marseille leads us through seven worlds that make up a city and give it the aspect of a republic: the world of dockers, activist workers, women in the garden projects or the inhabitants of an enormous ghetto, and, in all its nooks and crannies, ready to encounter all kinds of people, from an ex-junkie, a boxer, or young women on the brink of life. The Republic, a main street in the middle of the city. Confronted by a brutal real estate operation, all these stories come into play again.

La mar brava offers us a magnificent introduction to the social, emotional and geographical landscape of this portion of Callao.

Carlos Amorales’ film La aldea maldita (The Cursed Village) (2017) narrates the story of a family of migrants who are lynched as they reach a strange town. In this fantastical village, a puppeteer manipulates the characters in a kind of shadow play that seems to be activated by musicians and actors. The film poses multiple political questions about justice, self-defense, politics and migration. Amorales’ visual vocabulary confronts us with these topics as he suggests that our vision of the world is shaped by pre-existing languages and social codes.

A young woman, forced into a loveless marriage, takes a lover.

There is a film and its director, technicians, actors and their characters. Paul Vecchiali is telling the love story between Benoît and La Martine. The reality of the shooting becomes the pretext for a game with cinema itself, where the limits of the frame are increasingly permeable.

The action takes place on a Maragata hacienda that is sinking into misery, whose situation can only be solved through a marriage of convenience. But the marriageable girl, during a train trip, falls in love with a young poet and is reciprocated. Her family is opposed to this relationship, since they have promised her to marry a man of good standing.

Mademoiselle Gobette, a pretty young actress, visits the offices of the Minister of Justice, Cyprienne Gaudet. Simultaneously, Madame Galipaux arrives to speak to the Minister on behalf of her husband. Gaudet mistakes Madame Galipaux for the new cleaning woman, and Mademoiselle Gobette for Madame Galipaux, leading to farcical complications when Monsieur Galipaux arrives.

Young woman disguised as a man sets out to kill two brothers that she believes cheated her father out of his property. She discovers they were innocent of that, and takes a job on their farm, provoking some gender-fluid wooing confusion from both of them.

Married for several years, Paula and André share a happy life with their two children in a small village in the countryside. But one morning, this peaceful life is turned upside down by the disappearance of Paula. In her farewell letter, she wrote these few words to explain her departure: “I wished I would never leave, but it is decided. I need to do this, otherwise I will die.” During that summer, André and the children will find each in his / her own way a remedy to deal with the pain of her absence and will set out on a quest for appeasement.