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In the Gard, an architect, anarchist, libertarian, Jack-of-all-trades, ecologist, has been constructing over the last ten years an ideal "convivial" and "erogenous" palace. An imposing utopia, an exuberant commentary
Every Sunday night, a small New York restaurant turns into a piece of Cuba. The tables are set aside to give way to a dance floor, which welcomes the immense fervor of Cuban exiles through the rumba.
Future. An analyst and his young patient Stefano, who is unable to relate serenely with love, talk during a psychoanalytic session. His tales of sentimental adventures become a fresco of enthusiasm and vitality, which we only glimpse in the eyes of our analyst.
Young American Billy brings a red-stained shirt to the dry-cleaning business of an elderly Italian couple. After he leaves, they spend hours spinning increasingly intricate, improbable yarns about the origin of the stain. This, in turn, leads them to wonder about Billy's identity. Is he a hot-blooded lover in the midst of an affair? A super spy? A chess-boxing champion? All of these, perhaps? And why did he venture abroad in the first place?
A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.
Work made with footage of the documentary El Grito by Leobardo López Arretche, that analyzes the symbol of the hand and the fragmentation of history through time. The images in this short film were light printed from a 16mm to 35mm contact print.
Mexican movie
A short film screened at Il Cinema Ritrovato 2020. The year of production is lost but the film is not the 1913 film Sotto la maschera.
Los Mapuce son un pueblo originario de la Patagonia, depositario de una cultura oral muy antigua, para quienes el territorio no es un "atributo", sino un elemento constitutivo de su identidad. En este sentido, luchan para que el Estado argentino respete la Constitución Nacional de 1994 que “garantiza la posesión de las tierras que [los pueblos originarios del país] tradicionalmente ocupan”. The Mapuce are a native people of Patagonia, repository of a very ancient oral culture, for whom the territory is not an "attribute", but a constitutive element of their identity. In this sense, they fight for the Argentine State to respect the National Constitution of 1994 that "guarantees the possession of the lands that [the native peoples of the country] traditionally occupy."
Patrick Straumann's commentary "La Maison Fassbinder" is a scientific text and strongly based on French film semiotics as initiated by Christian Metz and thus indebted to structuralism in the tradition of De Saussure until Barthes and Levi-Strauss, searching in literature as well as in film recurrent topics, structural parallels, symmetries, Syntagmatic connections as well as paradigmatic variations.
A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.
A camera takes us deep underground where Bolivian miners toil in primitive conditions. A time-machine film that takes us through the pitch black to a primeval altar and simultaneously confronts us with the tourist industry’s voyeurism.
