Streaming I Want

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Claire Howard, neglected by her husband, Austin, succumbs to the attentions of Austin's business partner, John Reeves, to the dismay of Alice Loring, her sister. When Claire ignores Alice's advice to end the affair, Alice goes to Reeves hoping to reason with him.

Recorded in Japan 1989

A temporary laborer who helps bring down a mob-sponsored employment racket

Max is forced to choose between losing his newly wedded wife and a fortune. He hits upon a brilliant scheme: He will give his wife grounds for a divorce, secure the money and then make his ex-wife Mrs. Linder again. He goes through any amount of trouble in helping her to get the necessary evidence, only to find that it is all a mistake on the part of a stupid lawyer - the money and the wife are both to be his.

An impossibly eclectic community behind the doors of a taxi garage in Queens.

Sabata is condemned for a murder he never committed, but as he is about to be hanged, a mysterious man throws him a gun! Sabata escapes, wounding the guard whom somebody else shortly after kills. Someone wants to get our friend accused for a long list of crimes, but the strength of his innocence will save him. Having convinced the sheriff, the dramatic search for the guilty one begins.

Concert DVD of the band, Jimmy Eat World, live at the 9:30 Club in Washington, D.C. from late 2002

Dutch filmmaker Leo de Boer couldn't resist the temptation, so he invested a lot of money in the stock market and lost big. To make matters worse, the money actually belonged to his son Michael. Now Leo wants his money back, but should he keep investing or call it quits? In this introspective film, Leo de Boer seeks out the mechanisms underlying the temptation to gamble. And why is it that other people are getting rich this way, but he isn't?

A regular guy tries to fight crime in his hometown, by becoming a Superhero, because he wants to make a difference.

Live performance with 16mm projectors. This is a simulation of a prototype for a “feeling machine” envisioned by Dr. D. Forme in 1917. This simulation is based on a short description and diagram found in the doctor’s notebooks. The description focuses on only one section of the machine. Brief mentions of the other sections were included but no detailed information was discovered. The machine was never built, yet according to the description its purpose was “to replace the faulty mechanism of human emotion”.

Two kinky female roommates have odd habits. One is a hooker who beats up and robs her customers after she has sex with them. The other one takes money from men to perform stripteases for them at her place. One day she and a customer, Mr. Gregory, drop some LSD together and he begins to tell her a story that makes the girls realize this time they may have more on their hands than they bargained for.

She Wants Revenge performing at the Rock am Ring festival in Germany, 2006

Go behind the scenes with the Stereophonics as they travel from Thailand to Australia to film promos for the tracks from their 'Performance and Cocktails' album. Tracks include 'Just Looking', 'Hurry Up and Wait' and 'Mama Told Me Not to Come'.

Walter wants work (1922) (Directed by and starring Walter Forde this stands as a good introduction to the work of the UK's only major comedian. This farce finds Walter attempting and failing at multiple jobs with the inevitable suspicion from the local bobbies.

After five years as the best of the Chaplin imitators, Billy West struck out with his own comedy character, a middle-class man in a nice suit and a fedora -- but with the mustache. These movies involved him in cartoonish situations in which he executed some extended gags very nicely -- in this one he does the one in which the water pump only works when he's not ready for it and another in which he can't catch a fish with some expensive gear, while the boy next to him catches whoppers with a stick and a bent pin -- and gradually moved behind the camera.

A couple are making love beneath the window of a cranky old gentleman. There is a handsome window garden above them filled with plants and flowers. The old gentleman throws out a rope upon the lovers to annoy them. They, not knowing what it is, seize it and pull the window garden down upon themselves.

Unraveling the value of emotion in contemporary society, the work of Belgian-American artist Cécile B. Evans explores the person-to-machine exchanges that have come to define the contemporary human condition. Her video installation What the Heart Wants examines what constitutes a person in the digital age and how machines (technical, social, and political) shape how we are “human.” If “corporations are people too,” as in the notion of corporate personhood, then HYPER, an ambiguous power and the narrator of the video, has achieved this ultimate goal. Amidst the dizzying paradoxes of future-turned-now, she is joined by a range of other protagonists: an immortal cell, a memory from 1972 that has outlived the humans who would have remembered it, a disbanded trio of off-grid lovers, lab children with their robot caregiver, and a workers’ collective comprised entirely of disembodied ears.

During the spring of 2000, eleven girls aged 8 to 16 from a variety of socio-economic backgrounds and two classrooms of middle and high school students were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses provide the central theme of the film, a half-hour examination of how the media presents girls. Juxtaposing footage culled from a typical week of TV broadcasting with original interviews, WHAT A GIRL WANTS will provoke debate and, ideally, act as a catalyst for change in media content.