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Nobody's Home is a docu-essay on communities, work and death in two elderly communities.
Mark Reiter stands in front of his love's house as he practices what he will say to her mother.
Mrs. Geng is a simple mother who raised two children on her own. Her son makes his way to the city and offers to have her come live with him and his family. Despite the improved material conditions of the city, Mrs. Geng cannot help feeling isolated and lonely. It takes some time for her children to understand how she feels.
Here, everyone is an outlander. But something's not right. Everyone else has a place to sit at the table, a home to return to at will. Not him. Lonely as it may be, he will look ahead and find his place here.
A document of Dexy's residency at the Duke of York Theatre in London in April, 2013.
A young woman tries to adjust to freedom after she spends eight years as a prisoner to a strange man.
Follow the Faction Collective as they return to their homes around the world to show us how they get it done on home turf. From Europe to the US and back again – via old playgrounds, new challenges, secret spots and favourite lines – This Is Home chronicles what it means to be a freeskier today: where the conditions are what you make of them, and the search for that perfect ride starts in your own backyard.
What begins as an optimistic 'love story' quickly develops into despair when Yaelle's father ostracized her for her decision to have a lesbian wedding with Aya.
Dudley United Football Club was on the brink of extinction; its A-Grade side sitting on the bottom of the ladder and player numbers at an all-time low. In desperation, the small Kangaroo Island club enlisted the help of legendary AFL recruiter John Turnbull and together they hatched a unique plan that would change the island forever. A year in the making, New Island Home goes inside the inner sanctum of the club during the 2017 campaign and uncovers the remarkable story of success that young indigenous men from across remote Australia have brought to the region.
A homesick tribute to the fertile swamps, swaying palm fronds, and fond descriptions of the filmmaker's Florida home, this film is alive with evocative language of the land's humid spirit.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
A struggling couple's weekend getaway goes awry when a child arrives in the middle of the night claiming to be their son.
On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.
Johan Ten Berghe joins the Dutch army when the Dutch East Indies unilaterally declare independence as Indonesia. He initiates his naive driver Twan in life in the East, having grown up there as son of colonial official Hendrik, now missing. Their adventures intertwine with Johan's childhood memories, especially concerning his native best friend, Oeroeg, who joined the rebellion, as well as their nanny and later de facto stepmother. Conflicting loyalties become tangible in extreme situations
Her name is El - a name that sounds like a letter and makes the young androgynous woman a kind of representative of her generation. A generation that is overwhelmed by all the possibilities of the world, globalization and the digital stream. Lisbon is a promise of freedom, independence and an intense life. But the question of meaning brings doubt into everyday life: what if I were happier with someone else or called another place home? When home no longer feels like home, the search becomes routine. When El meets Kay after a break-up, in the midst of her search, their story together begins. Time, space and emotions implode in "Baan", blurring Lisbon with Bangkok, past with present.
The story mainly tells the story of Zhang Mingliang and Bai Jing, a pair of ordinary people born in the 1970s . After they got married in 1998, some things happened in their families for more than ten years. Also interspersed in the middle are some stories about his good friend Director Wang and an old man renting a house.
The wife and son of an unemployed, foul-tempered man suffer under ever-worsening domestic violence. One day while his father is taking a nap, the young son decides to take matters into his own hands. In a panic, the wife and son both believe the man is dead and dump him on a roadside. The man survives, however, and returns home weeks later confined to a wheelchair probably for the rest of his life. How will each member in the family cope with this new situation?
With his father's memory waning, a struggling forester must confront the troubling reality about his livelihood and his family's future.
Cyriaque Kouenou was forced to leave his country and fled to the Netherlands. Staying there he has now entered his fourth year on a surrealistic trip with no end in sight, with stopovers in a tent camp, an empty church, an old office building and a former prison. A no man's land where you are stuck after being told that you aren't allowed to stay but also can't be sent back.