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Gun and Wai are two young ladies who grow up in a church during wartime. One day, an army passes by the church near the border, and the two young ladies volunteer to take them to the base of the hostile force. On the way there, they witness the hardship and cruelty that the war has brought to their peaceful, holy-land. The war has also given them a better vision of love and understanding of humanity. The war is now over, and they must decide whether to leave the church for new found love or stay living alone.
Linda is a middle aged woman working as a caregiver at a care home for people with chronic disabilities. One day a young, attractive guy comes to live there and Linda is overwhelmed with sexual desire for him.
During the Cultural Revolution, Xie Zhixin (Yuan Yue) learns that his son Xie Feng (Ma Xiaowei)'s lover Ulan (Zhang Xiaolei) is the daughter of his student, Lu Yan (Gao Ying), from many years ago. After watching Ulan's performance, Xie leaves in a hurry; Ulan mistakenly believes that Xie's father has scorned her because he knows that her mother is a "rightist."
Old lady Malin Klintbom is being promised a cosy and comfortably life at the residential home she is invited to visit. However, she finds the home impossible to live at and flies in panic to her cabin.
An intimate portrayal of Suvana Sudeb, a transgender person, who undergoes Gender Affirmative Surgery in order to negotiate the conflict of body and mind. This decision creates turmoil in her family, who fear societal backlash. As love remains elusive as always, Suvana realises that the surgery could not change her destiny, forcing her to reconcile with reality anew.
A young woman confronts her own story as an adopted child from Sri Lanka. Her existential quest expands into a detective hunt for the truth in a morass of forged documents, corruption and family trauma.
A film about simple human love in a large family. The head of the family, Grigory Babanin, went through the Chechen war and managed to keep the warmth that he gives to his children, and there are 16 of them, and all are adopted.
Yong-geun, an HIV-Positive, goes back to his hometown for celebrating his father's birthday. Taking pills has become his everyday life since it helps him maintain an ordinary life. As Yong and a man he meets at a spontaneous gathering head to a motel, the guy finds out a box of pills in Yong-geun's bag.
After the outbreak of the war in Ukraine, I reached out for a Ukrainian who studies in Beijing. Born in Russia, his father was Russian and his mother is Ukrainian. As the war escalates, his hometown was also bombarded, and his family breaks apart while his mom seeks for asylum in Bulgaria and his stepdad staying at home. He is about to leave China, feeling lost about his next destination. Gradually Mark and I have more resonance. And the pain caused by war started to strike me too.
Ben Winter returns from his tour in Afghanistan with the German ISAF. Having survived a suicide bombing, which claimed the life of his best friend, he is trying to find his way back to his old life, with his girlfriend, family and friends. But his memories are catching up with him. Increasingly, he is losing contact with reality and his trauma gets the upper hand. A near-accident makes him and his family finally aware of the deep-rooted trauma and feelings of guilt he brought back from Afghanistan and he checks into a veterans' hospital for treatment.
A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.
The elder waiting for visit from their children.
A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.
Jennytown, on the island of Deer, Maine, is a sleepy provincial town. Life in this coastal place will be savagely affected by the arrival of a plague that infects the whole planet: the dead are rising from their tombs and devouring the living. What seemed impossible is happening. Zombies have invaded earth.
In the Peruvian Andes, a young woman tries to balance her passion for Quechua storytelling at a local radio station with the dedication she feels for her family.
Gunther Schuller discusses his life and work in his home.
An early black-and-white mood piece, Rejtman’s lyrical short film fuses a young couple’s passage into early adulthood with a journey through Buenos Aires in the quietest moments at the very break of day.
Ieva and Kasparas, sister and brother, are locked out of their home. Their mother has shut the door from the inside and is out of reach. The older sister Dovilė is their last hope, but even with her being there, there’s nothing they can do, but wait.