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I have been living in Europe since 2002. I went to Korea with my one-year-old son in 2016 to see my parents after a long time. While staying at my parents' house, I sent my mother, who was suffering from Parkinson's syndrome to a nursing home with the intention of helping my father. This story is about the point where generations intersect. At the point where my son was starting to learn to walk, and her mother was starting to forget her walking.
Here is only one chance in life, and the way of education has a profound impact on the future of children; letting children go to school at home is a challenge and an experiment that does not allow failure... This film visits four families who have completely different backgrounds but also choose to teach themselves. Through the sharing of experiences between their children and their parents, it presents the appearance of the phenomenon of self-study in Taiwan today. Is the pursuit of the happy growth of one's own children contradictory to the hope that the children will become a dragon and a phoenix? What kind of learning environment should we prepare for children? How do families with different backgrounds and children with different qualifications choose appropriate education methods? What is best for children?
Liu Ximei was born in 1985 in Xincai County, Zhumadian City in Henan Province. Being born in violation of the one child policy, she was given up to be raised by relatives. In 1995, a ten year-old young lady, Ximei, was severely injured while harvesting wheat. Losing copious amounts of blood, she was given HIV contaminated blood and contracted AIDS while under treatment at a local hospital. According to 2011 official statistics, there are 850,000 AIDS sufferers in China, a majority of which contracted the illness as the result of an officially promoted plasma market. This film describes Liu Ximei's life in 2013.
Alex, a home carer, has struck a partnership with the charming Leon, who enlists Alex to carry out petty crimes on his behalf. When Alex starts to question Leon's motives he gets caught up in a family feud that gets increasingly out of hand.
Pavel, 28, moved Crimea to a Ukrainian village after the annexation of the peninsula. But it is not easy for him to integrate into the new society. It's easier to be alone.
Hugo's mother is back home. The day after, when Hugo wakes up, he finds black feathers all over his house.
Due to the impact of the global Coronavirus pandemic, the author of the film comes back to her birthplace after having spent the last 10 years abroad. She goes about her daily routine under lockdown along with her parents: her father teeming with good humour who takes government restrictions with reservations, and her mother who voluntarily locks herself in her room because of fears she could infect other flatmates with the virus she may not even have. Sara Shazli observes city bustle outside the windows and domestic life through the camera lens in her own perspective, treating familiar situations with both tragic and comic distance. Being locked down with her parents helps her in rediscovering family ties and her relationship to home.
A documentary about a man in search of a lost paradise.
Tohoku some live Watanabe Bunta wax in the town of still single in their 30s. While the tutor had been making a living. But, life the first time tutor of this hottest was unusual. Problem child and fell, such as his had to have students truancy and domestic violence.
A high spirited, poetic adventure documentary that chronicle's a young person's rites of passage, from novice sailor to expert in three years of life aged in salt, sun and wind. Shot on-board and also on location around the globe, Between Home displays the panache of Nick Jaffe's ocean odyssey from Europe to Australia, and what happens when you dare to follow your dream.
42 years old A-Min is a quiet and reserved man. He is a delivery worker in a fish market in Tainan. He is secretly gay and has never been out of the closet. His wife, Xiaohui who was young and already pregnant when they met. She took off after giving birth to her daughter Xiaofeng. A-min and Xiaofeng had been each other’s only family ever since, until one day, when A-Min finds Xiao-feng missing...
After a disagreement with his teacher, a young boy runs away.
Ghar Ka Pata is an autobiographical account of director Madhulika Jalali’s search for her identity as a Kashmiri Pandit woman. In the early 1990s, the six-year-old Madhulika and her household fled Rainawari—a quaint suburb of Srinagar—in response to Kashmir’s separatist insurgency. 24 years later, with no memory of her birthplace, she returns to visit with her family. In retracing her roots, Madhulika weaves a narrative that juxtaposes short, impromptu conversations, filmed on the streets of Rainawari, with a string of family anecdotes. These oral accounts of a bygone era reveal connections extending beyond religion and politics. On a personal level, Madhulika’s film underlines how the pain of exile can linger across generations.
Action of the movie "Road to home" happens in the small village of Abkhazia, in which the local administration has decided to pave an asphalt road. On the way of construction there is a natural barrier - a free which, according to stories of old residents, has been here since the foundation of the village. Under a dense shadow of the tree, the inhabitants found salvation from the hot Abhazian sun, on the branches clawing more than one generation of boys and girls. It keeps the memory about love, about war and peace, about life and death. According to the legend, if to cut down this tree, the sun will become so bright that will burn everything - people, country, history.
The story of a young cane farmer's daughter from Fiji who marries a rich Indo-Fijian-Australian citizen and moves to Melbourne, Australia to live with him and his family. This is the story of her trials and tribulations.
A documentary series about living in isolation during the COVID-19 pandemic. The project participants are people from different countries who have different attitudes towards forced seclusion and are ready for a lively discussion. “When it's time to close at home, it's time to open up to the world,” is one of the series' slogans.
An NYU short film by Steve Wang.
Taiwanese movie
Photographed over 4 years in and around the house with a 35mm movie camera and a variety of odd film stocks that had been aging in the uncontrolled conditions of the basement, 'domashnyee kino' is a home movie on many levels. It follows the passage of my two children coming to an ever increasing awareness of the world... It traces the flow of light and sound through their environment... It is a celebration of the way light bends through a piece of glass (in this case a couple of 70's era russian anamorphics) and how this light transforms the surface of an emulsion into an impressionist representation of these moments. The camera films were processed at home in the basement and printed optically on a beautiful Oxberry 1700. Some of the printed material was processed by hand and some was run by Sebastjan at NIagara Custom Lab.