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Charlotte Thiis-Evensen visits the homes of Norwegian architects.
Upon the death of his wife, Yohan keeps a coffin in his bedroom and insists on being left alone, leaving his children baffled by their father’s behavior.
Documentary on how Oswald, the Lucky Rabbit returned to the Walt Disney Company's ownership.
This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Ominous cranes overlook Natasha's land at the edge of Kiev, which year after year is being pushed deeper into a pit by new panel buildings. The brave owner protects not only acres of land, but also traditional family values, faith and ownership. From a bird's-eye view of the farm, a sharp contrast emerges between the village and the city. This peculiar family business model is set forth in a four-year chronicle from the point of view of foreign visitors who don't interfere with the way of life that the family has lived for generations.
Home Is Where Your Heart Aches is the story of Kat, a beautiful, spirited New Yorker. Her only trouble is that she falls in love quickly - way too quickly. It's as if in matters of love, she never studied the boundaries, the games, the rules. Every encounter turns into a break-up scene. As her situation deteriorates, Kat recourses to extreme measures... In a world that has almost killed it, love turns into an act of revolt.
Lara has built a life for her and her daughter, Magi, with the sea at its heart, lived and explored in their mother tongue. But as external forces push them ever closer to danger, their world begins to crumble around them.
As war ravages their homeland, Ukrainian children flee their homes out of fear. Across the country, young lives are uprooted and transformed overnight. But even amidst devastating loss, the children's resilience and optimism shine through.
Tourist Home is a 2013 Malayalam thriller film directed by Shebi. The film traces a series of incidents that take place in the 10 rooms of a tourist home. The plot revolves around the following characters: two young boys who have a bad past due to their unethical lives, an old man who has come for the medical aid for his grand son in the medical college, a policeman and a whore, a woman who is forced to search unlawful means to earn money to meet the medical expenses for her ill husband, a man who fear to attend an interview and his friend, an astrologer who chants different ways to get a peaceful mind, a daughter who tries to remind the unethical ways of her father, a woman, her daughter and dance master to participate in a dance reality show, a woman who has come to abort her pregnancy from her husband's friend, and a gang who has taken a room for gambling, who are all staying in that ten rooms of the Tourist Home.
It centers on the character Helene Hannøe, an attorney who forms close relationships with her troubled clients while trying to solve their problems.
A corporate slave’s homecoming takes a surprising turn when she arrives at a missing house.
A short documentary about gentrification and tenant activism in one Toronto neighbourhood, "This House Is Not A Home" presents a poignant and informative look into resident experiences in Parkdale.
Liuba Vasnetsova lives in a provincial boarding school, dreams of finishing it sooner rather than later and go to St Petersburg to become a stewardess. The future seems bright: after boarding school she receives the keys to a new apartment, with a new life ahead. But on the day of her graduation she learns that she is not an orphan: her father is alive and not dead, as she was told earlier. The girl is shaken and decides to find him.
Yuriko, once a concert pianist, now practices home-making while husband Takashi stays out late with co-workers, leaving her to decay into severe mental illness.
Poetic monologues and the music of wandering bards accompany the pilgrims and nomads of modern-day India. This experimental work challenges us to visualize a journey of the soul, with walking as a meditative act.
This film explores the option of home birth in Iceland, as seen through the lens of a female filmmaker who is forced to come to terms with her feminine side when she discovers she is pregnant.
Anna, Korean name Kim Myong-hee. 43 years after her adoption to the United States, she visits a remote island in the Yellow Sea. There in Deokjeok Island live Suh Jae-song and In Hyun-ae, a couple who raised orphaned Anna as if she were their own. Their house on the island has two special rooms. One is a room full of records of all the children the couple sent for adoption. The other is a temporary home for all adoptees who come visit Korea later in life. The couple lived as foster parents for these children for 30 years since 1966. Together with a Catholic priest from the US, they sent 1,600 kids to the US for adoption. They sent Myong-hee, then 14-year-old, and her two brothers to a family in the US in the hopes of them living in a happy household under loving parents. But contrary to their wishes, Myong-hee’s life in America turns out to be a series of pain and misfortunes. For the first time in 43 years, Myong-hee talks about her painful memories.
Last year, my grandfather died. The film begins with the words "Last year, my grandfather died," and the filmmaker turns his attention to his grandmother, who is left behind. She says she could die at any time, but she lives on. The artist's fingers crawl over the grandmother's face, caressing the wrinkles. Her mother supports her as she gives her a bath. The artist, who says that one cannot avoid one's own blood or family when thinking about oneself, tries to question one's own existence by looking at the grandmother.