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Short interview film.
An outsider artist spends a lifetime creating a world bigger than himself.
A tongue-in-cheek tribute to Yma Sumac.
40% of homeless youth identify as LGBT - hear their perspectives on homeless shelters - filmed in Pittsburgh.
The night before Lily and Joe make the move into their new home, Lily has a premonition of her death. Can she stop it, or will the house take her?
Documentary short written by Seamus Heaney.
The story of the privatisation of state housing in New Zealand through the eyes of two Maori women involved in opposing housing projects.
A documentary about a late-capitalist nightmare before Christmas, showcasing the gentrification of an Atlanta apartment complex and the ways the parent company abused its tenants.
You Can Always Come Home explores the architecture of the domestic realm through the eyes of young children in Miami by celebrating the ritual, family, love, and culture cultivated in the Black diasporic home.
An emotional glimpse into a transgender journey. The story featuring two friends unfolds in layers of love, compassion, empathy and discovery.
I Still Call It Home is a genre implosion of melodramatic horror and Brechtian didacticism. It takes place inside a haunted house, and a haunted society … we have a dark history and it’s bubbling up on our skin. In the words of Tom Cruise, characters scream “I Want the Truth!” but as the teacher tells us, “truth” is ideologically malleable. “There is something in the house” and that house is Australia. Language can grant us liberty when a past wrong is admitted, but language can also confine and restrict us. I Still Call It Home wrestles with these contradictions in its free-wheeling exploration of the policing of bodies through language and denial.
An eclectic compilation of home movies and early cinematic experiments. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation. “From the age of 12 onward until 17 (the restless years) the Kuchar brothers lived life to the fullest and tasted the spices of the lower class, the sugar of the bourgeoisie and the kasha of the jet set. At this time their films were seldom longer than four minutes.” –George Kuchar
In a rapidly changing and unstable region, young Egyptians like many others around the Arab world aspire to migrate in order to find economic, cultural or religious stability. Four young Egyptians take a journey on different paths to find the place they can each call home. Whether it is for financial, family, religious, career or personal reasons, they search to find true belonging. For some the answer is immigration and for others the answer is right around them.
Explores the inner thoughts and feelings of Grace Walsh, during the development of Alzheimer's disease.
Nothing says Yuletide ambiance like a gorgeous oscillating fan. Keep the holidays cool with a soft, electric whir: the ideal backdrop for family fun!
In this short film, Babe Ruth proposes to put a song about baseball on the radio.
No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago's north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership.
Official 25th anniversary redux of the seminal Wicked Lamb Pictures film, shot in one night in June 1997.Featuring new music from Elliot and the Pool,Jaguar MC and Uncle Dirty,MPB and more
By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.
A discussion about Fogo Island fishing, with some criticisms of the longliners.